Archive for the ‘Inspiration’ Category

Stop Running From Your Creativity

Thursday, September 10th, 2015

Stop Running From Your Creativity

Listen carefully…

Can you hear that?

Underneath the thoughts about your credit card bill and next Tuesday’s dinner plans…

Past the anxiety about that upcoming job interview and the frustration with your painfully slow progress in the practice room.

A faint murmur bubbling up in your subconscious. A voice trying to break through the noise of your everyday life. I’m talking about your creative voice!

The same inner voice that you’ve had since you were a child…

The one that daydreamed. That saw things differently and wasn’t embarrassed to be original. The voice that’s honest and heartfelt and out to discover new possibility.

Take it or leave it, this creative voice is the key to coming into your own as a musician.

More than technique, a shiny new instrument, or even years of schooling it’s the one thing that makes you unique.

And that’s exactly why you need to start listening to it…

Hey listen up!

We’ve all got an inner voice.

The only problem is that not everyone hears it.

Some people just ignore it, some are afraid of risking it, and some let the voice get drowned out by the details of daily life. However, for the ones that take a plunge into the unknown and trust their intuition the possibilities are endless.

This creative voice is what led Beethoven to his 5th symphony, it’s the impulse that made Miles Davis keep searching for new sounds, and the calling that pushed Coltrane to make A Love Read More

27 Ways to Get Inspired to Play Music Again

Thursday, September 3rd, 2015

Get Inspired to Play Music

It’s been a while since you’ve picked up your horn, sat down to the piano, or even thought about practicing. As time goes by, it gets more and more difficult to get that spark going again. Ok, time to get out of this rut and do something about it.

Here are 27 ideas to get you inspired to play and practice again.

Pick One. Do it.

Yes, that’s it. Just one at a time. Then, when you feel a sense of accomplishment and have begun to improve again, pick another.

Here we go:

1.) Find some new things to listen to

Everything you play right now is largely based upon what you’ve listened to up to this point. Whether you’ve studied it or just put it on in the background, everything you listen to affects what you play and how you conceptualize music.

Finding new music to listen to is easier today than it’s ever been. My father tells me all the time that the reason he has certain records is because when he went down to the record shop, that’s all there was! He had a few dozen jazz albums to choose from, so that’s what he bought. Lucky for him, he’s got some great recordings in there.

Go on Spotify. Explore Youtube. Look up any artist you’ve ever been remotely interested in but never took the time to check out. The music doesn’t have to be new. It just has to be new to you.

Ever … Read More

The Secret Behind Every Solo that You Can’t Afford to Miss

Thursday, January 15th, 2015

There’s a secret hidden in every great solo.

You’ll find it in those old records of Louis Armstrong and those videos of Bird and Diz that you watch on YouTube. You can even hear it in the players of today like Terence Blanchard, Kurt Rosenwinkel, Tom Harrell and dozens of others.

It’s a secret that not many people even think about, let alone talk about. But it’s there if you really look for it.

Still guessing? Well I’ll tell you right now that it’s not a fancy scale, not a music theory trick, and it’s not the lick.

You might even think it absurd that there is anything more to a solo that the actual notes. I know I did until I started digging into the solos of my favorite improvisers.

But keep reading because this secret will change the way you approach improvisation…


The secret is this:

Behind one line of a great solo lies the weight of thousands of hours of practice. Years of listening. Dozens of transcribed solos. Decades of private instruction. Tough lessons picked up in jam sessions and revelations passed on by mentors.

…all in just a dozen notes.

YouTube Preview Image

Think about it: all of the practice on technique, all of that work on sound, every gig and every hour of study led to that solo you just listened to. It’s all there hidden in those notes.

These notes could fly right by you if you’re not paying attention. You might hear it and … Read More

7 Crucial Lessons from History’s Greatest Improvisers

Tuesday, January 6th, 2015

I’m guessing you’ve heard of Miles Davis.

And you probably know Louis Armstrong and have listened to Charlie Parker and John Coltrane.

But have you ever stopped and wondered why you, sitting here in 2015, know these names?

Some of these masters have been gone for 40 years and some of these records are nearly 80 years old. So why are we still listening?

And why does an album like Kind of Blue become the best selling jazz album of all time?

There must be a mystery ingredient that makes some players or albums stand the test of time and become household names, while others are lost to obscurity, failing to connect with a wider audience.

While these musical masters couldn’t predict the future, they did have something in common. In fact they all shared some very specific qualities that allowed their music to travel the world and endure for years.

What’s more, these qualities are true of great people in various fields of work and these principles can be applied to more than just music.

So take note and pay attention to the greatest improvisers, if you’d like to share your music with more people and you’d like to reach a new level of artistry, learn these 7 lessons well.

1) Connect with your audience in a meaningful way

We love fireworks.

We’re drawn to technical flash, larger-than-life stage presence and shocking special effects. The high notes and fast tempos make us squeal with delight and the lure of … Read More

7 Reasons you’re not getting to the next level and what to do about it

Monday, October 13th, 2014
How to get to the next level in Jazz Improvisation

When you begin something new, there’s so much to learn. Improvement is quick and often, practice is exploratory and fun. But after doing anything for a while, you settle into a routine and your once explosive improvement tapers off. Wherever this may leave you, you can’t seem to get beyond this plateau.

Why are you stuck at this intermediate level and what can you do about it?

Fear not friend. The primary reasons people remain at the same level in jazz improvisation are generally the same across the board. Let’s dive into these roadblocks and detail exactly how to handle them so you can get to the next level asap!

1.) You’re using scales as a shortcut to understanding chords

A huge problem and possibly the reason most people get stuck at the same improvisational level for so long, is their constant reliance on scales to understand chordal structures.

When you want to play over an Eb-7 chord, do you have to think about what notes to play based upon scale relationships? If your thinking goes something like this…”hmmmm, Eb- is the ii chord of Db major, so I’ll play the notes in Db major, but starting on Eb,” then you’re in trouble.

Michael Jordan doesn't take shortcuts

"If you try to shortcut the game, then the game will shortcut you." ~Michael Jordan

This shortcut to chords through scales is a widely taught system for understanding chords in jazz improvisation; this system quickly gives you access to correct notes without knowing a lot about the harmonic structures. It's not a bad place to start and in the short-term, it helps you, but if you want to get to the next level, it’s time you ditch your shortcuts and start to understand what actually is going on around you... Read More

Why You Should be the Worst Player in the Room

Monday, October 6th, 2014

If you’re reading this I’m guessing that you want to be the best.

You want to walk into a room with your instrument and completely smash the competition. To tackle every chord progression, every tune, and every challenging technical passage with effortless mastery. To have every other player’s jaw drop as they look on in utter awe.

…unfortunately this isn’t always the case.

You see, the reality is that sometimes you’ll try your best and end up in the middle of the pack and at other times, you’ll end up in that dreaded spot at the bottom – you’re the worst player in the room.

It happens.

When you find yourself in these situations it can suddenly feel like music isn’t fun anymore. You get discouraged, you might even want to quit, and you can’t wait to run back to the safety of your comfort zone.

But wait a second! Being the worst player in a group of musicians isn’t necessarily a bad thing…it’s actually a good thing.

You might not realize it now, but you’re in the perfect place to improve.

Ugh, I’m the worst…

Tell me if this sounds familiar:

You’ve walked into a jam session and don’t know any of the tunes. You’re in a lesson with a great teacher and suddenly become aware of your musical weak spots. Or maybe you’ve signed up for a new class or took a chance and auditioned for a new group.

If it does, then I’m betting you know what … Read More

4 Reasons Why You Should Start Recording Yourself Today

Monday, September 8th, 2014

There are perks to being a musician.

You get to step out into the spotlight and be the star of the show. You get to experience the exhilaration of creating music in the moment with other musicians. And you get to share your music with family, friends, and complete strangers.

But there’s one thing you don’t experience while you’re wielding your instrument: You don’t get to listen to yourself.

As a performer you’re too busy producing sound, keeping time, and listening to your fellow musicians to truly hear the sound that’s coming from your own instrument.

But what would it be like to be a listener at your own show? What if you could pull up a chair and really focus on each note of your solo as it happens – What would you sound like?

More importantly, would you be happy with what you’d hear?

Well there’s no need to guess, you can listen to your own concert, rehearsal, or practice session and it’s easier than you think. Here are 4 important reasons you should be recording yourself as a musician.

I) Wait…I sound like that?!

Let me ask you a question.

Have you ever heard a recording of your own voice?

I’m sure you have and if you’re anything like me you were probably caught off guard. The first time you hear your recorded voice coming from a speaker you can’t help but be surprised. How could that strange voice possibly be mine?

In seconds you realize an … Read More

Why Your Search for the Perfect Equipment is Not Making You a Better Musician

Sunday, April 20th, 2014

You’re searching for the perfect sound.

You want to play long improvised lines with ease.

You want to have effortless high range, to play swinging phrases with a stellar tone, and to sound great on any jazz standard.

And to get there you just need that perfect instrument.

That vintage Martin Committee trumpet, that mint condition Mark VI, the perfect ride cymbal, that Slant Signature Otto Link, a Steinway Grand

Check it out!

It’s the same horn that John Coltrane, Joe Henderson, Mark Turner, and Seamus Blake play on:

Look no further…” the only thing between you and the sound of your dreams is $10,000!

As you can see, it’s way too easy to get caught up in the quest for the perfect equipment.

Believe me.

It’s fun to search for and buy new instruments and it’s all too easy to envision yourself squashing any musical obstacle with this brand new horn.

Before you know it, you’re spending more time on eBay and scouring the internet then you are practicing and listening to the music.

But wait a second, is this new instrument really going to change you as a musician?

We’re all obsessed with equipment

Visit an online music forum, attend a music conference, or strike up a conversation with your fellow musicians.

It’ll only be a matter of minutes until the topic turns to equipment.

What kind of horn do you play? Check out this new mouthpiece. Do you know what reeds Read More

Reality Check: Motivating Yourself to Better Musicianship

Sunday, February 9th, 2014

It’s been a few weeks since the new year when we posted articles on setting goals and making musical resolutions.

Did you make some resolutions this year? If so, how are they holding up?

Maybe you didn’t exactly make a conscious resolution, however you probably have some areas of your playing that you want to improve in the new year. Are you on track to achieve these goals or has your progress and ambition slowly come to a standstill?

Not to worry, if you haven’t stuck with those resolutions you’re definitely not alone. In fact you’re completely normal. Most resolutions and goals start out with excitement and determination, then slowly wither away after a few weeks.

Chances are you’re reading this article because you’re genuinely interested in improving your musical skill set, whether it’s ear training, improvising, music theory, or instrumental technique. That’s great, we want you to improve these skills and we want the information on this site to make a difference in your playing.

However, it’s going to take more than just reading an article to make this happen. The reality is that many people are going to read these articles and then…you guessed it, do nothing. I often did the same with the information I received from my lesson teachers, I would study my notes, make some goals in my mind, imagine getting better, and then never implement it into my daily routine.

With any type of large or life altering goals there seems to be … Read More

Why You Shouldn’t Be a Real Book Player

Sunday, January 26th, 2014

Take a peek into a high school jazz band rehearsal or grab a seat at a college jazz combo concert. Better yet, walk into your local jam session or take a close look at the jazz trio playing the next time you’re at a wedding. What do you see?

In each case you’ll find the “Real Book player.”

The Real Book player is the musician that learns tunes out of a fake book, practices in front of a fake book, and performs using a fake book. Like a ball and chain, the book is always there. No book = no music.

For years I used to be a real book player. I looked at lead sheets to memorize tunes, I practiced improvisation by staring for hours at written out chord progressions, and I relied on the book like a life preserver at gig after gig.

From my perspective, this all seemed to work out just fine, however after a few years a problem slowly began to emerge. I was performing standards from a book all the time, but I wasn’t actually learning any of these tunes that I was playing night after night.

Even worse, I wasn’t improving at all as an improviser. Week after week I was basically rehashing the same old material in the same exact way without having any musical progress to show for it.

The problem was not that I wasn’t trying to improve as an improviser, it’s that I was trying to use a fake … Read More

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