We practice long tones. We work on two-five progressions until our fingers bleed. We work on new ideas and concepts. The work is mostly enjoyable, sometimes frustrating, and hopefully productive. But what is all this diligent dedication for?
Tunes. What else is there?
Everything we do is to play tunes in the way we so desire. Think about it. Nobody cares how great you sound on a G7 chord, but if the G7 is part of a tune, then it matters. It sounds so simple yet I’m not convinced that most people have connected the dots on this subtle fact: All the hard work we do is for the purpose of playing music in the form of tunes.
The standard way of thinking about tunes is that they are this separate entity, a chore, a task in isolation to tackle, just like anything else we practice. From this mindset, people transcribe a solo, they practice the hell out of licks, they even work on developing their own vocabulary…but…they never connect all these things with the tunes they are working on.
If the ideas and techniques you’re practicing are not available to you when you go to perform a tune, what’s the point of practicing them? The goal is to have everything available to you, as if every single thing you’ve ever worked on is a piece of ammo at your disposal ready to be fired at will when you perform a tune.
Everything is connected
Why for most of us … Read More