Inspiration for improvisers
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Ear Training, Jazz Advice and Tips, Jazz Language, Perspectives, Visualization
You’ve heard it time and time again…PLAY WHAT YOU HEAR!! But when it comes to improvising jazz, how do you actually go about playing what you’re hearing? And how do you mentally hear the beautiful jazz lines that you want to play? Playing what you hear sounds so easy in theory, but it’s much more …
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Ear Training, Jazz Advice and Tips, Jazz Standards, Premium Only
Everybody talks about learning tunes. I mean everybody. It’s the one common thread that pops up at jam sessions, on gigs, in music schools and in conversations with great players. Hey, what tune do you want to play next? Do you know this tune? What tunes are you working on? I really need to learn …
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Jazz Advice and Tips, Perspectives
Being successful as a jazz musician isn’t all about practice routines, ii-V licks, or memorizing tunes. Sometimes getting to the next level as a player is all about having the right perspective. Here are 20 things every improviser should know… 1. Nobody’s checking for your music degree Just because you graduated with a degree in …
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Jazz Advice and Tips, Jazz Language, Transcribing
The extreme ranges of any instrument express extreme emotion, but they’re not easy to tackle. The high register is notoriously difficult on most instruments and the low register is often under-developed and under-utilized. The standard approach towards these registers is to extend your scales and arpeggio exercises as high and as low as you can. …
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Jazz Advice and Tips, Music Theory, Perspectives
Let’s face it, improvisation is hard enough as it is, even when we do spend the time in the practice room. But however much we study or practice, there are some key factors that can destroy our creativity and ability to improvise in seconds. We’ve all experienced this feeling before in performance. You hear an …
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Jazz Advice and Tips, Jazz Language, Perspectives
Learning language is arguably the most important aspect of learning to improvise. When you start to use the language you’ve worked on in your solos, you start to realize how powerful it truly is. You feel like a whole new perspective has been opened up to you – that you finally understand. But then, over …
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How to Practice Jazz, Jazz Advice and Tips, Playing Techniques
How creative are you each time you play your instrument? Think about it for a second…are you actually creating new musical ideas in your solos? Are you actually free when you improvise?? As a creative improvising musicians, this is one question that we should all ask ourselves from time to time. It’s well known that …
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Often times, we get pushed down a very narrow, prescribed path when it comes to learning and performing jazz. Without question, we get complacent with the established rules of others whether it’s the guidelines of an educational program, the expectations of the people around us, or the limits of a label for the music. We …
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How to Practice Jazz, Jazz Advice and Tips
In talking, practicing, and performing with many musicians over the years, it seems that a number of players are having trouble getting started with improvisation. Even more have a hard time moving forward, but can’t seem to figure out why. Time is spent in the practice room day after day, yet no results. There seems …
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Composition, Jazz Advice and Tips, Playing Techniques, Rhythm, Scales
Time and again, we’ve stressed on this site that scales are not the secret to jazz improvisation. However, scales can be beneficial if you practice and apply them in the right way. Once you aurally understand and ingrain the vital aspects of the jazz language (i.e. phrasing, melodic construction, expression, harmonic application, time, articulation, etc.) …
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There’s one important idea that we must remember as musicians: When you practice, you create habits. Think about it, this is essentially the reason that we set out to practice in the first place. By consciously focusing on a single exercise or technique for hours at a time, we ingrain these skills on an unconscious …
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Jazz Advice and Tips, Jazz Language, Jazz Standards, Transcribing
So you’ve transcribed some ii-V lines. You’ve even learned a few solos note for note directly from the record, but, despite your efforts, you’re not seeing the results you expected. Transcribing those lines from your favorite player didn’t transform you into the great improviser that everyone had promised. At the end of the day, improvisation …