Inspiration for improvisers
Getting a good ear will help you learn faster, transcribe quickly, and assist in learning tunes. Focus on these lessons to quickly improve your ear and be sure to check out The Ear Training Method for a complete jazz ear training system.
By Eric
Ear Training, How to Practice Jazz, Jazz Advice and Tips, Perspectives, Playing Techniques, Transcribing
Practice is an essential part of your journey as a musician. We all do it every day…or at least we try our best to, however daily practice doesn’t always guarantee improvement. Why? Simply because not all practice is created equal. If you look at the big picture there are two basic types of practice: (1) …
By Eric
There is one important part of practicing and learning any musical instrument or musical style that many players are unintentionally missing. A necessary skill that’s so obvious it often remains hidden in plain sight. It seems to be the same across the board from absolute beginners to college music majors. It doesn’t matter if you …
By Forrest
We’ve presented tons of exercises on how to practice ear training, but many require that you have someone to train with. So what do you do when you don’t have a partner? When you have no one to practice ear training with there’s just as many exercises you can do and better yet, you can …
By Eric
Jazz is smart people music! I first heard these words from the great pianist Harold Mabern. Walking through the practice rooms at school one day, as was usually the case, a group of eager students was huddled around him as he told a story. An impromptu musical lesson that didn’t involve scales or chords, but …
By Eric
Each day when you get your instrument out of its case and set out to practice improvisation, your goal is to play the right notes. Whether it’s playing with great technique and great sound or finding the best line to play over that new tune, you’re looking for the fastest way to sound good over …
By Eric
Transcription can be a real struggle sometimes. Some days it feels like you can spend an hour trying to learn a few measures, and after a dozen frustrating attempts, you end up in exactly the same place you started. If this feeling rings a bell with you, you are definitely not alone. Many of the …
By Eric
Recently I’ve been checking out a book called “You are Your Own Gym: The Bible of Bodyweight Execises.” The author, Mark Lauren, is a former instructor and trainer for elite special forces soldiers. The central premise of his book, geared toward your everyday civilian, is that you don’t need all those fancy high-tech weight machines …
By Eric
Recently we’ve gotten a few questions regarding chord tones: how to work on hearing them, how to aim for them in your lines, and how to connect them when you’re improvising over a chord progression. Understanding the sound and function of chord tones is important to your success as an improviser. However, it’s important to …
By Forrest
You’ve heard it time and time again…PLAY WHAT YOU HEAR!! But when it comes to improvising jazz, how do you actually go about playing what you’re hearing? And how do you mentally hear the beautiful jazz lines that you want to play? Playing what you hear sounds so easy in theory, but it’s much more …
By Eric
Everybody talks about learning tunes. I mean everybody. It’s the one common thread that pops up at jam sessions, on gigs, in music schools and in conversations with great players. Hey, what tune do you want to play next? Do you know this tune? What tunes are you working on? I really need to learn …
By Forrest
Hearing larger intervals is difficult for most people. After a couple weeks of practicing your intervals, half-steps, whole steps, major and minor thirds, perfect fourths, perfect fifths, and major sixths fall into place, but the remaining few linger on, causing us trouble for eternity. There’s no reason why we can’t isolate these more difficult intervals …
By Eric
Play what you’re hearing in your head! These are the instructions that numerous books, videos, and educators tell us as we struggle to figure out how to play over chord progressions. The only problem in situations like these is, as beginners, we aren’t hearing anything in our heads… Think back to the first time that …