Learn Doxy From Miles Davis: How Charts Mislead You
Doxy is one of those classic Sonny Rollins tunes that gradually made its way into the jazz standard repertoire. Originally recorded in 1954 and released on the album Miles Davis with Sonny Rollins, its compact form and changes make for a great improvisational vehicle. And today, Doxy has become one of the most recommended tunes ...
FREE PRO PRO & PREMIUM
Joe Henderson Plays Recorda Me
Recorda Me is one of Joe Henderson’s most famous compositions. Recorded on his epic album Page One from 1963, he actually composed the popular jazz standard when he was only 15. And over the years, it’s become a mainstay in jazz education and jam sessions alike, making it a need-to-know tune to add to your ...
FREE PRO PRO & PREMIUM
5 Bud Powell Tunes Every Improviser Should Know
Every musician dreams of creating solos full of flowing melodic lines. To play compelling ideas over fast tunes, ballads, complex chord progressions, and standard forms like the blues or rhythm changes… The only problem is that most of us are trying to achieve this melodic vision with the same old scales and exercises, piecing them ...
FREE PRO PRO & PREMIUM
Master Maiden Voyage – Bobby Hutcherson’s Perfect Solo
Maiden Voyage is a classic jazz standard that all improvisers will encounter at some point in their musical journey. With only four chords, beginners tend to gravitate toward this Herbie Hancock masterpiece because it seems like it would be an “easy” jazz tune… While it’s true that there are only four chords and that the ...
FREE PRO PRO & PREMIUM
5 Kenny Garrett Concepts on Night and Day
Learning a jazz standard or solo transcription can be a tricky process for any musician. But what many players forget is that you don’t have to tackle the entire piece of music at once… The truth is, taking one small section of a tune and studying how your favorite players approach it in a solo ...
FREE PRO PRO & PREMIUM
How To Play Like Michael Brecker For Mortals
Michael Brecker is one of the greatest saxophonists to arise after John Coltrane. Like Trane, he took the instrument places it had never gone before, adding new fingerings, effects, and extended techniques that made him seem like more than a man…… Superhuman. That’s the word that comes to mind when I think of Michael Brecker. ...
FREE PRO PRO & PREMIUM
The Art of Playing One Chord: A Lesson with Miles & Trane
There are a lot of skills you need in jazz improvisation…Developing great ears, a knowledge of tunes, instrumental technique, and a mastery of jazz language… But there’s one question that gets to the heart of the matter for any soloist… Can you come up with interesting musical ideas over a single chord? Without the aid ...
FREE PRO PRO & PREMIUM
How to Build Your Jazz Vocabulary Fast
When you’re first starting out on your journey learning how to play jazz, you’ll typically come across two different camps of how to go about things… One camp believes that you need a lot of music theory, particularly scales and modes, along with an understanding of how modes are applied to chords. Many refer to ...
FREE PRO PRO & PREMIUM
The Art of Jazz Phrasing: Six Secrets from Chet Baker
Beyond scales, music theory, and all those memorized licks lies something that gets to the core of what improvisation is all about – the art of crafting musical ideas. It’s what we often refer to as phrasing… The ability to take a tune, hear its melody, understand its chord progression, and then focus on that ...
FREE PRO PRO & PREMIUM
Modal Jazz 101 – Tricks, Tips, & Approaches From Miles Davis
Always searching for a new sound to explore and share with the world, jazz musicians are constantly trying to evolve and push the music forward, reaching for something different and exciting… And this is exactly how modal jazz came about. Legends like Herbie Hancock, Bill Evans, Joe Henderson, Wayne Shorter, and Miles Davis began exploring ...
FREE PRO PRO & PREMIUM
Paul Desmond’s Secrets to Take The A Train
Take The A Train is one of the most classic jazz standards you’ll ever come across. Composed by Billy Strayhorn, the tune quickly became the featured tune of The Duke Ellington Orchestra after his son Mercer Ellington found a draft of the tune in the trash… Clearly, Strayhorn was his own worst critic, so it’s ...
FREE PRO PRO & PREMIUM
4 Kenny Garrett Patterns to Get Outside on Rhythm Changes
For a long time, patterns in jazz have been popular as a way for jazz improvisers to expand their improvisational toolkit. You see, patterns have a natural order to them that make them perfect for many jazz different improvisation applications. But every great musician uses patterns in their own unique way… Today, we’ll be looking ...
FREE PRO PRO & PREMIUM