Inspiration for improvisers
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Composition, Playing Techniques, Premium Only, Rhythm
Many times when we’re soloing we get boxed in so to speak. We think that when we’re on a particular chord, we must play that chord and that chord only. We have tunnel vision and there exists little possibility. One technique that dramatically relieves this boxed in sound and mindset is harmonic anticipation. Anticipating a …
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Composition, Jazz Advice and Tips, Playing Techniques, Rhythm, Scales
Time and again, we’ve stressed on this site that scales are not the secret to jazz improvisation. However, scales can be beneficial if you practice and apply them in the right way. Once you aurally understand and ingrain the vital aspects of the jazz language (i.e. phrasing, melodic construction, expression, harmonic application, time, articulation, etc.) …
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A reader recently asked: At my college, to get into the lab bands you have to be a really great sight-reader. What are some ways to become a great reader besides just saying “read whatever you can.” I am decent at sight-reading, but I want to take it to that next level. How do I …
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Amateurs phrase in a way that sounds boring and boxy. In contrast, professionals phrase in a way that gives excitement and forward motion to their playing. In this article I’ll explore some tendencies that I’ve observed in the recordings of my heroes. Of course, your personal observations would result in different conclusions, which is why …
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A reader writes: It seems like everyone is taught the standard “off beat” articulation of swing eighth notes, but I feel that swing is really much more complicated. Why is it that some players seem to swing so hard while others do not? What’s the secret to swinging hard? Yes, everyone is taught the standard …
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Jazz Advice and Tips, Premium Only, Rhythm, Scales
We often get stuck in a rut when it comes to practicing technique. In the practice room we cover the same bases in our efforts to improve our overall technique. We run our major and minor scales in all 12 keys, we practice them in thirds and fourths and fifths, we use jazz articulation, we …
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Jazz Advice and Tips, Playing Techniques, Rhythm
As melodic improvisers, we are naturally focused on the harmonic aspect of what we are playing. After all, there’s nothing worse than playing wrong notes, right? Our minds are so concerned with what key a tune is in, what note choices work well over a specific chord, and how to navigate a difficult progression, that …
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Music is the space between the notes – Claude Debussy. The use of space is what defines our lines. Learning how to control our use of space allows us to define our lines precisely how we want to. To gain this control, we must focus our attention on where we rest. Most of our practice …
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Rhythm is often thrown to the wayside, in favor of working on harmony and melody. Perhaps this disregard is caused by a lack of understanding about how to approach this aspect of improvisation. Here’s a simple and effective process to find and incorporate new rhythms into your playing. Step 1: Choose a chorus You’ll need …
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The harmonic and melodic aspects of practicing jazz improvisation take up the bulk of our time. Consequently, developing a strong sense of time falls by the wayside. I’m as guilty as anyone else, thinking that somehow, it would just take care of itself. Unfortunately, things don’t work that way… The people who have “great time” …
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Here’s a recent question from a reader struggling with fast tempos: “Hi, I’m a saxophone player in Toronto. What might you recommend in terms of practice techniques to play on blistering fast tempos?” When it comes to fast tempos, we could all be better. Want to play fast? Start slow. Slow over fast tempos No …