3 Easy-to-Fix Mistakes that are Making Your Solos Suffer
Uggh…ouch…Have you ever made these sounds when you’ve listened to a solo? You know, one of those solos where you hear a couple of unsavory phrases and that’s it…no more! For the love of God, please make it stop! If you listen to a good amount of music, I’ll bet you have. But what exactly ...
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Happy New Year! 8 Musical Resolutions That Will Change Your Playing
A new year is the perfect time to look back at what you’ve accomplished in the practice room and to look forward to what you still wish to achieve as a musician. It’s also a great time to make a fresh start, to realign yourself musically, and to set some new goals. So, Happy New ...
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Thinking About Musical Phrasing for Improvisation
Recently I’ve been studying and transcribing a lot of Miles from around 1956-1957. Albums like Cookin’, Relaxin’, and Workin’. More than the notes or the harmonic devices in his solos, the one thing that sticks out about Miles is his sense of phrasing. This is what sets him apart and why so many listeners connect ...
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Harmonic Anticipation: A simple technique to break free
Many times when we’re soloing we get boxed in so to speak. We think that when we’re on a particular chord, we must play that chord and that chord only. We have tunnel vision and there exists little possibility. One technique that dramatically relieves this boxed in sound and mindset is harmonic anticipation. Anticipating a ...
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Using Permutation to Create Unlimited Musical Ideas…and Killer Technique
Time and again, we’ve stressed on this site that scales are not the secret to jazz improvisation. However, scales can be beneficial if you practice and apply them in the right way. Once you aurally understand and ingrain the vital aspects of the jazz language (i.e. phrasing, melodic construction, expression, harmonic application, time, articulation, etc.) ...
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5 Steps to Mastering Sight-Reading
A reader recently asked: At my college, to get into the lab bands you have to be a really great sight-reader. What are some ways to become a great reader besides just saying “read whatever you can.” I am decent at sight-reading, but I want to take it to that next level. How do I ...
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How to Phrase Like a Pro
Amateurs phrase in a way that sounds boring and boxy. In contrast, professionals phrase in a way that gives excitement and forward motion to their playing. In this article I’ll explore some tendencies that I’ve observed in the recordings of my heroes. Of course, your personal observations would result in different conclusions, which is why ...
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Developing a Concept of Swing
A reader writes: It seems like everyone is taught the standard “off beat” articulation of swing eighth notes, but I feel that swing is really much more complicated. Why is it that some players seem to swing so hard while others do not? What’s the secret to swinging hard? Yes, everyone is taught the standard ...
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Four Ways to Reinvigorate the Practice of Technique
We often get stuck in a rut when it comes to practicing technique. In the practice room we cover the same bases in our efforts to improve our overall technique. We run our major and minor scales in all 12 keys, we practice them in thirds and fourths and fifths, we use jazz articulation, we ...
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Using Polyrhythms in Improvisation
As melodic improvisers, we are naturally focused on the harmonic aspect of what we are playing. After all, there’s nothing worse than playing wrong notes, right? Our minds are so concerned with what key a tune is in, what note choices work well over a specific chord, and how to navigate a difficult progression, that ...
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Exploring Space
Music is the space between the notes – Claude Debussy. The use of space is what defines our lines. Learning how to control our use of space allows us to define our lines precisely how we want to. To gain this control, we must focus our attention on where we rest. Most of our practice ...
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Integrating New Rhythms Into Your Playing
Rhythm is often thrown to the wayside, in favor of working on harmony and melody. Perhaps this disregard is caused by a lack of understanding about how to approach this aspect of improvisation. Here’s a simple and effective process to find and incorporate new rhythms into your playing. Step 1: Choose a chorus You’ll need ...
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