Inspiration for improvisers
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Jazz Musicians, Jazz Standards, Transcribing
With its unique opening chord changes, the jazz standard I Remember You poses quite the challenge to most jazz improvisers, which is surprising because the chords themselves don’t seem that difficult. But it’s not the individual chords that create the problem…It’s the way one chord moves to the next chord… We’re simply not used to …
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Chords, Composition, Jazz Advice and Tips, Tunes
Here’s something that you’ve probably realized by now on your musical journey…that jazz improvisation can get very complicated, very quickly. In the blink of an eye your enjoyable musical hobby can transform into something that feels a little bit like homework – a tricky exercise with right and wrong answers. Suddenly the simple act of …
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How to Practice Jazz, Jazz Language, Rhythm, Tunes
Every single musician to ever embark on learning to improvise jazz runs into countless musical problems. That’s just the way it is. One problem after another, figuring out different ways to approach a progression in hopes of clarifying their musical ideas and better communicating them to the listener. So if you want to play jazz, …
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Jazz Musicians, Jazz Standards, Rhythm
Of all the time signatures that we encounter in jazz or any other music, the most common by far is 4/4, meaning it has 4 beats per measure and a quarter note is equal to each beat. In fact, 4/4 is so common that it’s actually called “common time” and has its own symbol in …
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Blues, Jazz Advice and Tips, Jazz Musicians, Premium Only
The Blues is an essential form to master for every jazz musician, but just like most things in jazz, there are dozens of variations to explore. One of the most exciting variations and one that’s exceptionally fun to play over for improvisers of all levels, centralizes the harmony around minor chords rather than dominant chords. …
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Every musician knows the feeling…You’ve picked out a tune to learn in the practice room. You’ve figured out the melody and memorized the chord progression. And you’re ready to start improvising your solo. Then it happens…you hit a wall. All of a sudden you can’t seem to find the right notes to play, no matter …
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Chords, Composition, Jazz Musicians, Jazz Standards
I can still remember the day I discovered how amazing the ii V7 chord progression could be. After struggling for years, It was as if a locked door finally opened and I was granted access to a secret society… I finally saw what all the fuss over ii Vs was about and why they mattered …
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Composition, Jazz Advice and Tips, Perspectives, Tunes
As a musician, you often find yourself listening to the best improvisers you can. Searching for inspiration, guidance, and answers to the challenges you’re facing. Especially when it comes to those records that include the same jazz standards you’re trying to learn… You want to figure out exactly what your favorite players are doing over …
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Jazz Musicians, Playing Techniques, Rhythm, Tunes
Paul Desmond plays the alto saxophone unlike any other…sweet, melodic, and precise, always leading the listener through a clear story from one musical idea to the next – It’s as if every single idea he plays naturally builds on what came before it… So how does he do it? How does Desmond so effortlessly move …
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Blues, Jazz Standards, Playing Techniques
Have you ever tried to play over a so-called easy tune, only to find that it’s not actually that easy? All Blues, one of the most incredible tracks from the legendary Miles Davis album Kind of Blue, is commonly referred to as an easy tune throughout jazz education, yet this seemingly simple composition contains more …
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Jazz Standards, Premium Only, Tunes
You’re on stage. In the practice room. Or rehearsing with your friends. It’s time to run through yet another jazz standard. But here’s the thing, this time you’re not going play it like you always do. You’re done sounding like everyone else with a real book. It’s time to get creative on your own terms… …
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Jazz Language, Jazz Musicians, Jazz Standards, Playing Techniques, Transcribing
What if there were a jazz musician that didn’t rely on scales, licks, or patterns, but instead sought only to play what they’d sing? What would this musician sound like? What kind of playing techniques would they use and how would they approach taking a solo? This kind of musician is what I hear when …