Inspiration for improvisers
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Remember the first time you played a modal tune like Impressions and how fun it was to wail over a minor chord? Maybe you’ve had this experience, or maybe it’s in your near future, but one thing is for sure: it’s fun just to let loose on a minor chord vamp and solo for hours! …
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Open up any music theory book and you’ll find the term “lydian.” A funny sounding word that refers to the fourth mode of the major scale. You’ve, no doubt, played this scale. You’ve probably even practiced it in every key and studied it’s relationship to the tonic. But what if I told you that you don’t …
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Chords, Composition, Jazz Education, Scales
The Chord-scale system has become the most established and widespread method for teaching jazz improvisation…And it’s no mystery why. So often, scales—more specifically the modes of the major and melodic minor scales—get passed-off as the most important aspect of learning to improvise. It’s as if by magic, you learn a couple scales and their modes, and …
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The dominant chord is one of the most versatile chords in the jazz repertoire, and it’s your best bet for adding harmonic tension and melodic interest to your lines. The only problem is that many players approach this sound with the same old scales and licks every time. And this can get pretty boring… That’s …
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Composition, Jazz Language, Scales
Scales can be one of the most overwhelming parts of learning jazz improvisation. Between you and me, it can seem like there’s a scale to learn for every chord, a scale for every progression, and a scale for every day of the week… However, as you’ve probably realized in the practice room, scales are not …
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Chords, Composition, Ear Training, Jazz Standards
Learning a tune straight from a recording is THE way to learn it. But the most difficult part is always deciphering the chord changes. And it’s certainly not an easy task compared to the alternative of simply grabbing a fake book and looking up the chord changes. But there are huge benefits to learning the …
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Jazz Musicians, Playing Techniques, Scales
No pianist has influenced the modern approach to jazz piano more than McCoy Tyner. From players like Chick Corea and Mulgrew Miller to non-pianists like Woody Shaw and Michael Brecker, McCoy has left his mark on generations of serious improvisers. And one distinctive element of his approach to improvising is his creative use of the …
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What comes to mind when you hear the word diminished? A chord? A scale? Wait, is it whole-steps and half-steps…or the other way around? If you’re like most players, the diminished sound often creates more questions than answers. But it’s a sound that the greatest players – from John Coltrane to Michael Brecker and beyond …
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Chords, Jazz Musicians, Playing Techniques, Premium Only
Alterations are at the heart of jazz. In no other genre of music can you freely alter chords in a such a fluid and flexible manner. As chords whiz by, the soloist has the freedom to add all sorts of chord alterations to their melodic lines. But it requires a sense of how these altered …
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Chords, Composition, How to Practice Jazz, Music Theory, Playing Techniques, Scales
You want to play exciting solos. Ones that will make the audience sit on the edge of their seats, that’ll make you stand out from every other musician in the room. But when you improvise everything ends up sounding exactly the same.. Many musicians share this frustration and for many it goes right back to …
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Chords, Composition, Jazz Musicians
What do you play over a minor ii V? Minor ii Vs are notoriously tricky. As compared to their brother, the ii V in major, the ii V in minor adds quite a few more challenges. First off, instead of a minor 7 ii chord, it has a minor 7 b5 ii chord. This causes …
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Every improviser has to face it at some point. We’re talking about those 32 bars of music that you know as Rhythm Changes. Sure it’s easy enough to sing the melody…And you’ve heard all the recordings of famous musicians playing circles around this familiar chord progression. But when it comes to improvising your own solos …