Inspiration for improvisers
Most musicians learn theory today without truly knowing how to use it. In these lessons, you’ll get a fresh take on learning and using music theory in jazz. And if you want a dependable framework, take a look at Jazz Theory Unlocked.
By Eric
There are certain things that you need to do if you want to improve your musical skills…Setting aside time each day to practice. Listening to important recordings. Seeking out teachers to guide you along the way. The same is true if you want to improve your jazz improvisation skills. You need to spend time listening, transcribing solos, building …
By Forrest
Major chords are the easiest type of chord, right? We learn our major scales on Day #1 and from then on, soloing over a major chord is a piece of cake…or so we thought. One day, after practicing for some days, or even some years, we stop and think, “Playing over major chords is so …
By Forrest
It’s late. I’m exhausted. Been out all night at the jazz clubs and I just want to get home. I hop in the first taxi I see and get on my way. I’m listening to the radio and I hear something that sounds familiar. Trane? I know it’s him. His sound is unmistakable. But what …
By Eric
You’ve heard about the scales. You understand the music theory. And you’ve even played through the patterns in a few exercise books. But when it comes to actually improvising with the diminished sound, something is missing. Well, today we’re going to show you how to bridge that gap… You see, scales, shapes, patterns, and harmonies …
By Forrest
, Minor
Remember the first time you played a modal tune like Impressions and how fun it was to wail over a minor chord? Maybe you’ve had this experience, or maybe it’s in your near future, but one thing is for sure: it’s fun just to let loose on a minor chord vamp and solo for hours! …
By Eric
Open up any music theory book and you’ll find the term “lydian.” A funny sounding word that refers to the fourth mode of the major scale. You’ve, no doubt, played this scale. You’ve probably even practiced it in every key and studied it’s relationship to the tonic… But what if I told you that you don’t …
By Forrest
The Chord-scale system has become the most established and widespread method for teaching jazz improvisation…And it’s no mystery why. So often, scales—more specifically the modes of the major and melodic minor scales—get passed-off as the most important aspect of learning to improvise. It’s as if by magic, you learn a couple scales and their modes, and …
By Eric
, dominant
The dominant chord is one of the most versatile chords in the jazz repertoire, and it’s your best bet for adding harmonic tension and melodic interest to your lines. The only problem is that many players approach this sound with the same old scales and licks every time. And this can get pretty boring… That’s …
By Eric
, dominant
Scales can be one of the most overwhelming parts of learning jazz improvisation. Between you and me, it can seem like there’s a scale to learn for every chord, a scale for every progression, and a scale for every day of the week… However, as you’ve probably realized in the practice room, scales are not …
By Forrest
Learning a tune straight from a recording is THE way to learn it. But the most difficult part is always deciphering the chord changes. And it’s certainly not an easy task compared to the alternative of simply grabbing a fake book and looking up the chord changes. But there are huge benefits to learning the …
By Eric
No pianist has influenced the modern approach to jazz piano more than McCoy Tyner. From players like Chick Corea and Mulgrew Miller to non-pianists like Woody Shaw and Michael Brecker, McCoy has left his mark on generations of serious improvisers. And one distinctive element of his approach to improvising is his creative use of the …
By Eric
What comes to mind when you hear the word diminished? A chord? A scale? Wait, is it whole-steps and half-steps…or the other way around? If you’re like most players, the diminished sound often creates more questions than answers. But it’s a sound that the greatest players – from John Coltrane to Michael Brecker and beyond …