Inspiration for improvisers
Being able to clearly see, hear, and feel what you want to play in your mind is essential to improvisation. In these lessons, we’ll explore the world of jazz visualization and if you want to further your study, check out our Visualization Course.
By Eric
Visualization can be a very powerful tool when it comes to achieving your goals. Everyone from professional athletes to ballet dancers have used this simple, but effective technique throughout training and competition to reach their peak level of performance. The simple task of mentally preparing for challenges and envisioning success can transform and drastically improve …
By Forrest
A recent question from a reader inquired about the blues in all keys: “I’m a sax player and have been working through the blues in all keys for the past few months, and was wondering if you guys had any tips, tricks, or any advice?” We’ve all heard it time and time again: Learn the …
By Forrest
If I asked you to name a iii VI ii V in the key of F#, how quickly could you conjure up the answer? If the time it takes you to think through that progression in your mind takes more than a millisecond, chances are you’re going to have a hell of a time playing …
By Forrest
The extent to which your aural imagination is developed, largely determines: the quality of lines you play, how you play those lines (articulation, swing feel, inflection), and the sound you play with. Nothing has such an impact on your playing than your aural imagination. If there were a secret to improvising, developing your aural imagination …
By Eric
One of the most frustrating feelings I have, is to get to the end of the day and realize that I haven’t practiced enough, or even worse, that I haven’t even touched my instrument. Whether it’s because of appointments, travel, school, or work commitments, it seems like there is always something getting in the way …
By Forrest
A reader writes: “I play trumpet and improvise fairly well, but mainly play by ear. How can I learn the chord tones and use them effectively to construct my solos? For example, it takes a long time for me to name of the 6th of a chord. I’ve tried several books to find a good …
By Forrest
Countless hours in the practice room and rhythm changes or a simple bridge to a tune still giving you a tough time? This is a familiar situation to everyone of all levels. I used to waste hours mindlessly practicing, thinking that there was some secret I was missing, or if I just kept improvising over …