Many times when we’re soloing we get boxed in so to speak. We think that when we’re on a particular chord, we must play that chord and that chord only. We have tunnel vision and there exists little possibility. One technique that dramatically relieves this boxed in sound and mindset is harmonic anticipation.
Anticipating a chord is quite easy: you simply anticipate the chord that you’re moving to by playing it before you arrive at it:
Anticipation is such a powerful technique because it achieves so much with so little. Just by playing the chord that you’re going to a little earlier, you’ll create a sense of forward motion, over the bar-line phrasing, and a feeling of excitement in your lines
How anticipation can help you
Like I was saying, we often feel boxed in by the chord changes. For example, here’s a sample of how someone playing over a Bird Blues may solo.
Pretty boring, huh? It sounds unnatural and boxy. Now, let’s take that same example and throw in some anticipation:
This is the same example except for the slightly modified resolution at the end of the line from G7 to C major. Now it’s a bit extreme to anticipate every chord, but you should hear and understand right away how much more exciting this line became from simply anticipating each chord by a beat.
Utilizing anticipation within your lines yields a more natural feel that can be heard and felt right away. And it’s easy to start doing. Here’s some exercises to get you started.
To begin practicing anticipation, play through a simple tune you’re working on, or a blues, and with each ...