Inspiration for improvisers
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Music is the space between the notes – Claude Debussy. The use of space is what defines our lines. Learning how to control our use of space allows us to define our lines precisely how we want to. To gain this control, we must focus our attention on where we rest. Most of our practice …
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Inspiration, Jazz Advice and Tips, Perspectives
Over the years, in learning this music and working on improvisation, I’ve encountered a lot of educational information: how to learn, how to practice, which scales to use, how to learn bebop in a week, etc. Looking back, the hardest part can be deciding which method is best or which information to trust. Sometimes the …
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We often talk about jazz language and how a primary way to integrate it into your playing is by applying that language to specific parts of tunes. By forcing yourself to use some piece of language over a tune in predetermined spots, your ear and your fingers learn how to put that piece of language …
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Composition, Jazz Advice and Tips, Jazz Standards
In a recent post: A Blueprint for Building Your Repertoire, I outlined some ideas to ponder while creating a repertoire of tunes. Concepts like how to learn, listen to, and how to approach the Great American songbook as you prepare to build your own repertoire. However, the real work begins when you get into the …
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The difference between many subjects and jazz improvisation is that the latter has no single correct and well-defined path. Every person takes a different route depending how they learn, how they hear, what they want to sound like, and countless other factors. Because we all are shooting for different musical goals and have different ways …
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The ability to play fluently in all 12 keys is essential for every improviser. Initially, it may seem like you rarely play in certain keys or even that it’s just not necessary to play in every key. So why bother with twelve keys, right? If you look carefully, however, many common standards that are in …
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Learning tunes. Memorizing standards. Building a solid repertoire that continues to grow. These ideas are always hovering at the back of an improviser’s mind. We make lists of tunes, print out lead sheets to study, set deadlines to learn a ton of tunes by and so on and so forth. For years, I did all …
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Rhythm is often thrown to the wayside, in favor of working on harmony and melody. Perhaps this disregard is caused by a lack of understanding about how to approach this aspect of improvisation. Here’s a simple and effective process to find and incorporate new rhythms into your playing. Step 1: Choose a chorus You’ll need …
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Composition, Jazz Standards, Tunes
At some point in your musical journey, regardless of what instrument you play, you’ll find yourself in front of that 88-keyed beast we call a piano. This can be a daunting task for many musicians. Often times, one of the biggest fears or stumbling blocks for non-pianists is that of comping chord changes. This simply …
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We have met the enemy and he is us – Pogo We all want to get better and we always will. There’s never a point where a musician thinks, “Well, I think I’m good enough now. Guess that’s it.” What’s stopping us? What’s holding us back from becoming the player we wish to be? The …
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Many times we forget about the musical skills that we should be developing until it’s way too late. Right in the middle of a gig you’re put on the spot and in a moment of panic, you realize “$@!*, I should’ve been getting this together in the practice room!” The bottom line is that when …
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Chords, Composition, Ear Training
In our first article of Fundamental Ear Training Exercises, we covered how to choose an ear training partner, the correct mindset to approach ear training with, and exercises about singing & hearing intervals, harmonic intervals, and triads. After you feel you’ve got a pretty good handle on everything presented in that previous article, it’s time …