Inspiration for improvisers
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Learning how to improvise can be overwhelming. There’s an enormous gap in knowledge to overcome as soon as you decide that you want to play jazz. Before you even improvise a single note, you have to contend with over 100 years of musical history, from Louis Armstrong all the way up to the innovators of …
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Jazz Advice and Tips, Jazz Education, Jazz Standards, Perspectives
It’s Saturday. You’ve got plenty of time. You’re excited to spend some quality time practicing. You meander into your practice room, peruse your jazz standard play alongs and grab the first volume that sparks your interest, pop it in, and off you go. Sound familiar? As fun as it is to “just play” over a …
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Inspiration, Jazz Advice and Tips
Interviews are a great way to hear and see how jazz musicians think, feel, and articulate their ideas. You can learn a lot just by watching them… Today we’re sharing with you 50 jazz interviews to get you inspired! Herbie Hancock & Wayne Shorter John Coltrane An Interview in Japan from 1965 Coltrane interview with …
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Chords, Composition, Playing Techniques
Sus chords on tunes like Herbie Hancock’s Maiden Voyage can be pretty confusing for the developing improviser. Is it a normal dominant chord? What’s special about it? Do you need a new scale? Are you allowed to play the third of the chord? After studying and transcribing solos of some of my favorite players over …
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Chords, Composition, Playing Techniques, Premium Only
The infamous ii V is everywhere in jazz chord progressions. In fact, the ii V defines a sense of tension and release that prevails throughout all western music… An essential key to understanding how to give your lines a sense of harmonic motion, lies in knowing where to insert a ii V into a static …
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There are certain composers in the jazz tradition…ones that have such a uniquely personal style that their compositions seem to take on a life of their own, becoming part of the jazz pantheon long after the lifetime of the writer. Composers like Duke Ellington, Charles Mingus, Wayne Shorter, and especially Thelonious Monk come immediately to …
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If I asked you to name a iii VI ii V in the key of F#, how quickly could you conjure up the answer? If the time it takes you to think through that progression in your mind takes more than a millisecond, chances are you’re going to have a hell of a time playing …
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Composition, Ear Training, Transcribing
Have you ever wondered why great pianists, guitarists, bassists, and drummers often sing along as they improvise? Ever noticed how many of the best horn players also happen to be great singers? Great musicians all over, seem to have developed the ability to sing somewhere along the way, whether they’ve had formal training or not. …
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Here’s a recent question from a reader struggling with fast tempos: “Hi, I’m a saxophone player in Toronto. What might you recommend in terms of practice techniques to play on blistering fast tempos?” When it comes to fast tempos, we could all be better. Want to play fast? Start slow. Slow over fast tempos No …
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Inspiration, Jazz Advice and Tips, Perspectives
We’ve all seen concerts that have affected us greatly and left a lasting impression on our musical perception and even our lives. Performances that seem to transcend the stage into another form of communication and stick with us long after the show has ended. It’s as if certain groups or performers have an uncanny ability …
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Ear Training, Perspectives, Transcribing
Tran•scribe – transitive verb. A: to make a written copy of, B: to make a copy of (dictated or recorded matter) in longhand or on a machine, C: to paraphrase or summarize in writing, D: to represent (sound) by means of phonetic symbols This is the definition I found for the word transcribe when I …
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Inspiration, Myths, Perspectives
Learning how to improvise is not nearly as clear as people think. And what makes it worse is that there are quite a few myths about it. Today, in no particular order, we’re going to dispel five myths about jazz improvisation for you right now! Myth #1 When it comes to improvising, you either got …