Inspiration for improvisers
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Inspiration, Jazz Advice and Tips, Perspectives
Stuck in the same monotonous pattern? Not excited about playing lately? It’s time to start with a clean slate and welcome in the new year feeling motivated. Here’s 100 ideas to reinvigorate your energy for the music. Read through the list and pick one that gets you excited. Then, just do it. Transcribe your first …
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Composition, Ear Training, Playing Techniques
On this site we frequently write about the benefits of ear training for improvising, with good reason. Hearing and singing intervals, melodies, chord progressions, etc. is one area of daily practice that will directly affect your improvising for the better. However, ear training isn’t only limited to improving your harmonic sensitivity. Developing rhythmic awareness and …
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How to Practice Jazz, Jazz Standards, Transcribing
A reader recently wrote in the following question: “I used to play classical guitar, then stopped for a couple of years, and am now trying to teach myself jazz guitar. Here’s the thing: I’m a college student. Between classes, homework, and work, it’s hard to get in practice time. What would you recommend working on …
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Chords, Composition, Ear Training, Jazz Advice and Tips
A reader recently wrote: “I was reading your “6 mistakes” article and was intrigued by the first rule. I would be more than happy to toss my lousy sixth edition real book, but have some questions about learning tunes by ear. When I’m blowing through changes or learning licks, it all comes down to the …
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Composition, Ear Training, Visualization
The extent to which your aural imagination is developed, largely determines: the quality of lines you play, how you play those lines (articulation, swing feel, inflection), and the sound you play with. Nothing has such an impact on your playing than your aural imagination. If there were a secret to improvising, developing your aural imagination …
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Ear Training, Jazz Advice and Tips, Perspectives
Learning to improvise is a life long pursuit. Constantly, we’re bombarded with information on how to improve. From the teachers that give us private lessons, to friends who recommend their personal practice routines, it seems there is improvement information coming from every direction! We’ll even purchase expensive books and videos, searching for “the secret” (that …
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Jazz Advice and Tips, Playing Techniques
Transposition is a skill that all musicians will need at some point in their careers. Whether you play a transposing instrument or an instrument in concert pitch, there are inevitably going to be times that call for reading music or soloing from chord changes that are not in your key. Trumpet players, saxophone players, and …
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Inspiration, Jazz Advice and Tips, Jazz Musicians
In my first 3 Gems Harold Mabern Told Me, we learned how much Harold stresses: relying on your ear, being greedy for the music, and the difference between inspiration and motivation. Harold’s full of incredible knowledge. Here’s 3 more gems from Harold to dwell on… 1.) Good music is good music Harold would play all …
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How to practice scales for speed is something every musician wants to know. What scale exercises can you practice to quickly attain a high level of speed and accuracy? Are there certain keys you should start with, or specific approaches you should try? Today we’re going to teach you some valuable tactics to practice all …
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Jazz Advice and Tips, Visualization
One of the most frustrating feelings I have, is to get to the end of the day and realize that I haven’t practiced enough, or even worse, that I haven’t even touched my instrument. Whether it’s because of appointments, travel, school, or work commitments, it seems like there is always something getting in the way …
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Inspiration, Jazz Advice and Tips
Here’s a collection of some of the best jazz improvisation educational video clips I’ve found. They include: Pat Martino, Jerry Bergonzi, Joe Lovano, Michael Brecker, Hal Galper, Joshua Redman, Bill Evans, John Scofield, Chris Potter, Billy Taylor, Joe Henderson, Kurt Rosenwinkel, Mulgrew Miller, Oscar Peterson, Terence Blanchard, Walter Bishop Jr., and Kenny Werner. Enjoy! Pat …
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Whether it’s figuring out difficult double-time passages, navigating advanced technical lines, or even finding the motivation to do it everyday, transcribing can be difficult. Transcribing, while essential to learning to play the jazz language, is often one of the most demanding tasks to complete on a regular basis for improvisers. Two readers recently asked questions …