By Jimmy Van-Heusen

It Could Happen To You

It Could Happen To You was written by Jimmy Van Heusen and Johnny Burke, and introduced by Dorothy Lamour in the film And the Angels Sing. Written in 1943, it quickly became a popular song, with early recordings by Jo Stafford and Bing Crosby helping establish it in the repertoire. The tune later became a jazz favorite, and its chord progression was used as the basis for Dexter Gordon’s Fried Bananas.

By Jimmy Van-Heusen

It Could Happen To You

It Could Happen To You
was written by Jimmy Van Heusen and Johnny Burke, and introduced by Dorothy Lamour in the film And the Angels Sing. Written in 1943, it quickly became a popular song, with early recordings by Jo Stafford and Bing Crosby helping establish it in the repertoire. The tune later became a jazz favorite, and its chord progression was used as the basis for Dexter Gordon’s Fried Bananas.

Chord Charts: It Could Happen To You

Chord Charts

Learn the chord changes to

It Could Happen To You

using common lead sheets for C, Bb, and Eb instruments.

Form: ABAC
Total Bars: 32 bars
Common Key(s): Eb major
How to Play This Tune

Step 1: Apply Diminished Concepts to It Could Happen to You

Several spots in It Could Happen to You, especially in the A section, can be approached using diminished sounds. These moments often sit over dominant chords or passing movement, giving you an opportunity to create tension and forward motion in your lines.

Rather than thinking of diminished as just a pattern or scale, work on hearing how it connects to the underlying harmony. Practice applying diminished ideas over dominant chords and resolving them clearly into chord tones. This will give your lines a stronger sense of direction and a more fluid sound.

PRO The Jazzadvice Diminished Handbook The Jazzadvice Diminished Handbook

Step 2: Use Minor ii–V Ideas in It Could Happen to You

Within this tune, you can approach several sections using minor ii–V movement, even when it’s not explicitly written that way. This gives you more flexibility in how you hear and navigate the harmony.

Focus on clearly outlining the half-diminished ii chord and experimenting with different colors on the dominant. Instead of locking into one scale, think in terms of chord tones and melodic ideas. This will help you move beyond rigid thinking and start creating lines that feel more natural and expressive.

FREE A Lesson With Bill Evans: 14 Techniques to Master the Minor ii V Progression A Lesson With Bill Evans: 14 Techniques to Master the Minor ii V Progression

Step 3: Understand the Relative Minor Relationship

A defining feature of this tune is how it moves between the tonic major sound and its relative minor. This relationship is at the core of the progression and gives the harmony its contrast and depth.

Train yourself to hear the I chord and the vi chord as connected sounds within the same harmonic space. Practice outlining both areas and the ii–V’s that lead into them. This will help you create phrases that move smoothly between major and minor without sounding disconnected.

PRO The Relative Minor Formula in Every Standard The Relative Minor Formula in Every Standard

Step 4: Master ii V I Movement

At its foundation, this tune is built on clear ii–V movement, and your ability to navigate these progressions will determine how strong your lines sound. The key is to hear how each chord leads into the next, especially how the V7 resolves to the I.

Isolate the ii–V–I’s in the tune and practice connecting them with simple, melodic ideas. Then begin incorporating vocabulary from great players. The goal is to move beyond thinking chord-by-chord and start creating lines that flow naturally through the entire progression.

PRO How To Master The ii-V-I Progression: 25 Essential Lines You Need To Know How To Master The ii-V-I Progression: 25 Essential Lines You Need To Know

Videos

Videos: It Could Happen To You

How to Play It Could Happen To You

Step 1: Apply Diminished Concepts to It Could Happen to You

Several spots in It Could Happen to You, especially in the A section, can be approached using diminished sounds. These moments often sit over dominant chords or passing movement, giving you an opportunity to create tension and forward motion in your lines.

Rather than thinking of diminished as just a pattern or scale, work on hearing how it connects to the underlying harmony. Practice applying diminished ideas over dominant chords and resolving them clearly into chord tones. This will give your lines a stronger sense of direction and a more fluid sound.

PRO The Jazzadvice Diminished Handbook The Jazzadvice Diminished Handbook

Step 2: Use Minor ii–V Ideas in It Could Happen to You

Within this tune, you can approach several sections using minor ii–V movement, even when it’s not explicitly written that way. This gives you more flexibility in how you hear and navigate the harmony.

Focus on clearly outlining the half-diminished ii chord and experimenting with different colors on the dominant. Instead of locking into one scale, think in terms of chord tones and melodic ideas. This will help you move beyond rigid thinking and start creating lines that feel more natural and expressive.

FREE A Lesson With Bill Evans: 14 Techniques to Master the Minor ii V Progression A Lesson With Bill Evans: 14 Techniques to Master the Minor ii V Progression

Step 3: Understand the Relative Minor Relationship

A defining feature of this tune is how it moves between the tonic major sound and its relative minor. This relationship is at the core of the progression and gives the harmony its contrast and depth.

Train yourself to hear the I chord and the vi chord as connected sounds within the same harmonic space. Practice outlining both areas and the ii–V’s that lead into them. This will help you create phrases that move smoothly between major and minor without sounding disconnected.

PRO The Relative Minor Formula in Every Standard The Relative Minor Formula in Every Standard

Step 4: Master ii V I Movement

At its foundation, this tune is built on clear ii–V movement, and your ability to navigate these progressions will determine how strong your lines sound. The key is to hear how each chord leads into the next, especially how the V7 resolves to the I.

Isolate the ii–V–I’s in the tune and practice connecting them with simple, melodic ideas. Then begin incorporating vocabulary from great players. The goal is to move beyond thinking chord-by-chord and start creating lines that flow naturally through the entire progression.

PRO How To Master The ii-V-I Progression: 25 Essential Lines You Need To Know How To Master The ii-V-I Progression: 25 Essential Lines You Need To Know

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