5 Steps to Becoming A Lyrical Master With Altered Dominants: A Lesson With Stan Getz (Premium)
By
Chords, Jazz Musicians, Playing Techniques, Premium Only
Alterations are at the heart of jazz. In no other genre of music can you freely alter chords in a such a fluid and flexible manner. As chords whiz by, the soloist has the freedom to add all sorts of chord alterations to their melodic lines. But it requires a sense of how these altered chord tones behave and a certain kind of know-how to use them effectively.
The best place to start experimenting with alterations is over the dominant chord because that’s where you have the most options. But, if you’ve ever tried to alter a dominant chord before, you know that it’s not that easy.
Here’s the situation…
You’re about to play over a dominant chord. You see this on a lead sheet, or you know a tune by heart…
… and your thought process might go something like this…
Your initial reaction? Scales. You think to yourself…
“What scale am I going to play if I want to alter the dominant chord?” Clearly not the boring old Mixolydian and after a moment of thought, you now believe you have several options to approach dominant alterations, and then even more scales come to ...
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