10 Levels of Playing the Bridge to Rhythm Changes
From the moment George Gershwin’s composition I Got Rhythm entered the jazz repertoire, it quickly became one of the most played, and most important, song forms in this music… And over the years, it has served as a proving ground for serious players everywhere. From beginners eager to show they can hang on the changes ...
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The Ultimate Guide to Bebop Tunes: 30 Essential Songs
Bebop, or the innovative musical revolution of the 1940’s led by Charlie Parker and Dizzy Gillespie, is one of the pillars of learning to improvise as a modern musician. …and it’s something that every serious player should spend some time studying. Chances are you’ve heard of Bird & Diz and the contribution of players like ...
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The Two Minor Tactic: More Tools for Rhythm Changes
After building your fundamentals on Rhythm Changes, you’ll open up a ton of new ways to think about these chords, but the truth is you never stop acquiring tools for this common progression because everything you practice over them translates to all other aspects of your playing. So in this video lesson, we’ll give you ...
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Unlock Rhythm Changes & Blues With These 6 Melodies
As musicians, we often treat the songs of the jazz repertoire in the same predictable way. We learn the chords, memorize the notes of the melody, and then we skip ahead to the important stuff – Improvising our own solos over the tune… But is this really all that jazz standards are good for?? For ...
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How to Simplify Rhythm Changes: The Basics
Taking a solo on Rhythm Changes isn’t easy. With the rapid changing chords and the typical fast tempo, this progression can be quite the challenge…but as the pros know, there are a ton of ways to simplify the chord changes to this infamous progression so that you can free up your mind to actually be ...
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4 Kenny Garrett Patterns to Get Outside on Rhythm Changes
For a long time, patterns in jazz have been popular as a way for jazz improvisers to expand their improvisational toolkit. You see, patterns have a natural order to them that make them perfect for many jazz different improvisation applications. But every great musician uses patterns in their own unique way… Today, we’ll be looking ...
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15 Jazz Improvisation Projects You Can Do at Home
As musicians, we often dream big and set lofty goals for where we want our playing to go. And the one place where we go to turn these dreams into reality is the practice room… This is your precious time to focus on the areas of your playing that have been ignored, that need improvement, ...
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9 Jazz Standards That’ll Boost Your Melodic Skills
You know the routine…You pick out a new tune, read through the melody, and start to work on a solo. You’ve got a few ideas, throw in a couple of your favorite licks, and follow the guide tone lines. And then it happens…you’re stuck playing the same old scales and patterns that you use in every ...
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Want to Master Rhythm Changes? Here are Six Solos that You Should Know…
Here’s a question for you…Are you making the process of learning to play jazz standards harder than it has to be? …searching for answers in theory books, obsessing over scales, and turning your daily practice session into a soul-searching quest for your personal sound when you just want to be playing music? The thing is, learning ...
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Stuck on Rhythm Changes? Here Are 4 Coltrane Concepts That’ll Set You Free
Every improviser has to face it at some point. We’re talking about those 32 bars of music that you know as Rhythm Changes. Sure it’s easy enough to sing the melody…And you’ve heard all the recordings of famous musicians playing circles around this familiar chord progression. But when it comes to improvising your own solos ...
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Building Your Repertoire Part II: 10 Key Tunes
In a recent post: A Blueprint for Building Your Repertoire, I outlined some ideas to ponder while creating a repertoire of tunes. Concepts like how to learn, listen to, and how to approach the Great American songbook as you prepare to build your own repertoire. However, the real work begins when you get into the ...
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