The Bebop Scale Explained: Theory, Tactics, and Jazz Language
Scales can be one of the most overwhelming parts of learning jazz improvisation. Between you and me, it can seem like there’s a scale to learn for every chord, a scale for every progression, and a scale for every day of the week… However, as you’ve probably realized in the practice room, scales are not ...
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The Ultimate Guide to Bebop Tunes: 30 Essential Songs
Bebop, or the innovative musical revolution of the 1940’s led by Charlie Parker and Dizzy Gillespie, is one of the pillars of learning to improvise as a modern musician. …and it’s something that every serious player should spend some time studying. Chances are you’ve heard of Bird & Diz and the contribution of players like ...
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5 Must-Know Bebop Tactics From Sonny Stitt
Bebop language is at the very heart of jazz. From the classic beboppers to the crazy out players, every great jazz improviser has spent time absorbing, imitating, and developing timeless bebop language. There’s just something about the feel, phrasing, and voice leading of bebop language that’s crucial for every jazz musician to understand… And to gain ...
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How to Play in 3/4 Time: Hank Mobley on Someday My Prince Will Come
Of all the time signatures that we encounter in jazz or any other music, the most common by far is 4/4, meaning it has 4 beats per measure and a quarter note is equal to each beat. In fact, 4/4 is so common that it’s actually called “common time” and has its own symbol in ...
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Charlie Parker’s Brilliant Licks and Tricks on I Remember You
With its unique opening chord changes, the jazz standard I Remember You poses quite the challenge to most jazz improvisers, which is surprising because the chords themselves don’t seem that difficult. But it’s not the individual chords that create the problem…It’s the way one chord moves to the next chord… We’re simply not used to ...
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Basic Bebop Reharmonization
If you took a quick survey and asked a few people to describe the components of bebop, you might come up with some answers like: “fast tempos, lots of notes, Charlie Parker, Dizzy Gillespie, b9’s, b5’s, altered dominants, diminished scales.” While all of these are true, one of the most overlooked, but surprisingly simple devices ...
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Hot House – How to Unravel Complex Bebop Heads
Bebop “heads,” what jazz players sometimes call the melody of a tune, tend to be some of the trickiest and most technically demanding strings of notes you’re likely to encounter. Much busier than classic jazz standards, these intricate melodies are generally more difficult to learn, understand, and commit to memory. So what do you do ...
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Jazz Scales: The Complete Guide for Improvisation
Jazz scales are one of the most talked-about topics in jazz improvisation, but also one of the most misunderstood. If you’ve studied jazz before, you’ve probably been told you need to learn dozens of scales to solo effectively. In reality, you only need a small number of essential jazz scales and a clear understanding of ...
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How to Play Cherokee like a Pro: 24 Melodic Tricks for Insanely Fast Tempos
Have you ever wondered how the best players can play incredibly fast, regardless of the key, the chords, or the tune? I’m not just talking about running memorized licks and technical patterns…I mean soloing at breakneck speed with actual melodic lines over the progression. Trying to improvise on uptempo tunes can be frustrating and the truth ...
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A Night in Tunisia: Navigating the Interlude & Solo Break
The interlude and solo break of A Night in Tunisia is a scary moment. The build up. The intensity. All eyes are on you. The band drops out, and somehow you have to play something convincing while keeping the time. The first time I performed A Night in Tunisia was at a concert my freshman ...
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The Inverted Arpeggio Trick
Bebop is by no means easy, but if you know specific bebop tricks that the great players use, you’ll set yourself up for success. In today’s video, you’ll learn one of my personal favorite bebop tricks and I’ll show you exactly how to practice it with a series of clear exercises that you can download. ...
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Your Assumptions About What To Transcribe
People have been writing in a lot lately asking us what’s okay and what’s not okay to transcribe. With all the different styles of jazz and genres of music, people are entirely confused as to what’s acceptable to transcribe. I have to admit, upon receiving these questions, I was a bit confused. I thought to ...
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