A Lesson With Bill Evans: 14 Techniques to Master the Minor ii V Progression
What do you play over a minor ii V? Minor ii Vs are notoriously tricky. As compared to their brother, the ii V in major, the ii V in minor adds quite a few more challenges. First off, instead of a minor 7 ii chord, it has a minor 7 b5 ii chord. This causes ...
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The Definitive Guide to Phrygian & Sus Flat 9 Chords
After you’ve been improvising jazz for a while, most chords are pretty familiar. You’re used to major, minor, dominant, and half diminished…but just as you thought you were getting a handle on things, a chord comes out of nowhere that makes you go “What is that?!?!” And not only do you have to figure out what ...
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How to Memorize Even the Most Difficult Tunes Right Now
Some tunes seem to make absolutely no sense, like the chords changes are some random crazy collection of complex sounds…But with a little know-how, using the same tactics we showed you in our recent lesson on learning tunes quickly, even the most difficult tunes can be deciphered in just a few minutes. Today’s lesson comes ...
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Jazz Scales: The Complete Guide for Improvisation
Jazz scales are one of the most talked-about topics in jazz improvisation, but also one of the most misunderstood. If you’ve studied jazz before, you’ve probably been told you need to learn dozens of scales to solo effectively. In reality, you only need a small number of essential jazz scales and a clear understanding of ...
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Joe Henderson Plays Recorda Me
Recorda Me is one of Joe Henderson’s most famous compositions. Recorded on his epic album Page One from 1963, he actually composed the popular jazz standard when he was only 15. And over the years, it’s become a mainstay in jazz education and jam sessions alike, making it a need-to-know tune to add to your ...
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Chord Function: Music Theory Fundamentals You Need To Know
Chord function is a confusing topic that is intricately tied to other just as confusing topics like voice leading, harmonic tension and resolution, intervallic content, chord voicings, chord families and more! Today we’ll unravel the slew of questions that arise from exploring chord function. Questions like, how do you build chords within a key? Why ...
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A Night in Tunisia: Navigating the Interlude & Solo Break
The interlude and solo break of A Night in Tunisia is a scary moment. The build up. The intensity. All eyes are on you. The band drops out, and somehow you have to play something convincing while keeping the time. The first time I performed A Night in Tunisia was at a concert my freshman ...
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4 Kenny Garrett Patterns to Get Outside on Rhythm Changes
For a long time, patterns in jazz have been popular as a way for jazz improvisers to expand their improvisational toolkit. You see, patterns have a natural order to them that make them perfect for many jazz different improvisation applications. But every great musician uses patterns in their own unique way… Today, we’ll be looking ...
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A Pentatonic Approach to Playing Outside on the Blues
As an improviser, the blues is central to everything that you do…at once a sound, a form, an expressiveness, and a medium through which you can tell your musical story. And it’s something that you’ll be dealing with as long as you play an instrument. You see, the best players not only understand this song ...
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10 Modern Improvisation Techniques That’ll Rock Your World
Every musician wants to sound hip and modern. To play complex lines that move outside of the harmony and above the time. Solos that’ll make your fellow musicians shake their heads in disbelief and leave the audience speechless… The only problem is that few players actually get to this point, and even less sound authentic, ...
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The Secret to Unlocking the Lydian Sound: From Boring Modes to Killing Solos
Open up any music theory book and you’ll find the term “lydian.” A funny sounding word that refers to the fourth mode of the major scale. You’ve, no doubt, played this scale. You’ve probably even practiced it in every key and studied it’s relationship to the tonic… But what if I told you that you don’t ...
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Formulas For Applying Jazz Language To Different Harmonic Situations
As the article last Wednesday discussed, learning to apply language to tunes is crucial because it puts the language into context, allowing your ears and fingers to gain an understanding of how to integrate the language into your overarching concept. Over time, the language you practice this way will spontaneously materialize in new form, surprising ...
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