Inspiration for improvisers
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Chords, Composition, Jazz Language, Jazz Standards, Playing Techniques
How do I connect chords when I’m soloing? You’re asking yourself this question in the practice room and you’re frustrated when there doesn’t seem to be an easy answer. But you’re not alone. This is a question that every improviser struggles with as they create solos over tunes. Improvising over one chord is simple enough, …
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Ear Training, Jazz Advice and Tips, Perspectives, Playing Techniques, Transcribing
I’m always trying to learn new bits of language.” – Michael Brecker. There are a lot of things to practice. What is truly vital to practice if you want to get better at improvising? Plain and simple: Language. Spending time with the actual language of jazz, the recordings of the greats, should be your number …
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Composition, Jazz Musicians, Tunes
Maiden Voyage is a classic jazz standard that all improvisers will encounter at some point in their musical journey. With only four chords, beginners tend to gravitate toward this Herbie Hancock masterpiece because it seems like it would be an “easy” jazz tune… While it’s true that there are only four chords and that the …
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How to Practice Jazz, Jazz Advice and Tips, Jazz Standards
One thing you always want to be doing is learning new material. New lines, new tunes, new concepts…there’s always something new to learn. We preach the mantra “Quality Over Quantity” in practically everything we write. So, while it’s true you always want to learn new things, the idea is to judiciously select what you want …
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How to Practice Jazz, Jazz Advice and Tips
One of the most frequently asked questions that we get concerns finding time to practice or improving with a limited amount of practice time. “What should I do if I don’t have enough time to practice everyday? I want to practice more, but I don’t have time to.” If you haven’t already, at some point …
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Jazz Musicians, Playing Techniques, Premium Only
Beyond scales, music theory, and all those memorized licks lies something that gets to the core of what improvisation is all about – the art of crafting musical ideas. It’s what we often refer to as phrasing… The ability to take a tune, hear its melody, understand its chord progression, and then focus on that …
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It’s been a while since you’ve picked up your horn, sat down to the piano, or even thought about practicing. As time goes by, it gets more and more difficult to get that spark going again. Ok, time to get out of this rut and do something about it. Here are 27 ideas to get …
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Chords, Music Theory, Playing Techniques, Scales
The Altered Scale, also known as the Super Locrian scale, allows access to the most beautiful tensions of a dominant chord in a flash. But using this scale effectively is not easy. In this lesson, we’ve assembled the keys to utilizing the Altered Scale to its full potential. We’re going to get into all of …
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Blues, Jazz Advice and Tips, Jazz Musicians, Premium Only
The Blues is an essential form to master for every jazz musician, but just like most things in jazz, there are dozens of variations to explore. One of the most exciting variations and one that’s exceptionally fun to play over for improvisers of all levels, centralizes the harmony around minor chords rather than dominant chords. …
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Composition, Jazz Musicians, Jazz Standards, Premium Only
Repetition. It’s one part of learning to improvise that’s par for the course. We practice scales over and over again until the technique is securely in our fingers, we spend hours repeatedly working out ii-V7 lines that we’ve transcribed, and we memorize the melodies and chord changes to numerous tunes until we can play them …
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Jazz Musicians, Jazz Standards, Premium Only, Tunes
All the Things You Are is one of the first tunes musicians learn when it comes to jazz improvisation. But unlike many players think, it’s not exactly an “easy tune” or something that only beginners should play… This is especially true of the Bridge of this popular jazz standard. Hidden within these eight bars are …
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Jazz Language, Jazz Musicians, Jazz Standards, Playing Techniques, Transcribing
What if there were a jazz musician that didn’t rely on scales, licks, or patterns, but instead sought only to play what they’d sing? What would this musician sound like? What kind of playing techniques would they use and how would they approach taking a solo? This kind of musician is what I hear when …