Inspiration for improvisers
By
Ear Training, Jazz Advice and Tips, Jazz Education, Playing Techniques
Play what you’re hearing in your head! These are the instructions that numerous books, videos, and educators tell us as we struggle to figure out how to play over chord progressions. The only problem in situations like these is, as beginners, we aren’t hearing anything in our heads… Think back to the first time that …
By
Jazz Advice and Tips, Perspectives
Sometimes a change in perspective is all you need. Jazz improvisation is a demanding pursuit, one that combines intellect, feeling and expression. It’s easy to grasp the music theory side of things, but it’s much more difficult to grok the more dubious concepts…things like strong phrasing, connecting ideas, having a unique musical perspective, or the …
By
The difference between many subjects and jazz improvisation is that the latter has no single correct and well-defined path. Every person takes a different route depending how they learn, how they hear, what they want to sound like, and countless other factors. Because we all are shooting for different musical goals and have different ways …
By
Transcribing is the single most effective method of learning how to improvise…or so everyone says. The only problem is it can be a mystery figuring out what the transcription process actually entails. You have your instrument and a collection of your favorite recordings – now what? The standard jazz resources are good at teaching the …
By
It’s a question that we get asked all the time on gigs, at jam sessions, and even in our weekly lessons. As you probably know, it’s not a lot of fun when you are put on the spot and don’t know a tune. In fact, it seems like a lot of the motivation for our …
By
Inspiration, Jazz Advice and Tips
The funny thing about learning a new skill is that we often carry our first experiences around with us for years. You might try drawing or you may try learning a new language and without realizing it, the outcome of this first attempt, good or bad, will greatly influence your future mindset. We all make …
By
Ear Training, Jazz Advice and Tips, Jazz Standards, Premium Only
Everybody talks about learning tunes. I mean everybody. It’s the one common thread that pops up at jam sessions, on gigs, in music schools and in conversations with great players. Hey, what tune do you want to play next? Do you know this tune? What tunes are you working on? I really need to learn …
By
Chords, Jazz Musicians, Playing Techniques, Premium Only
Alterations are at the heart of jazz. In no other genre of music can you freely alter chords in a such a fluid and flexible manner. As chords whiz by, the soloist has the freedom to add all sorts of chord alterations to their melodic lines. But it requires a sense of how these altered …
By
Chords, Composition, Jazz Language, Jazz Standards, Playing Techniques
How do I connect chords when I’m soloing? You’re asking yourself this question in the practice room and you’re frustrated when there doesn’t seem to be an easy answer. But you’re not alone. This is a question that every improviser struggles with as they create solos over tunes. Improvising over one chord is simple enough, …
By
Jazz Advice and Tips, Jazz Musicians
There is a common saying in learning the art of jazz improvisation… “If you want to sound like your favorite player, don’t just copy them, copy their musical heroes.” The logic goes, that rather than just copying and reproducing a master musician’s solo note for note, you should also model their process of becoming a …
By
Imagine that you’re strolling through an art museum on a lazy afternoon. Leisurely, you walk past magnificent paintings, weave between rows of sculpture, and meander through various galleries, each showcasing a bygone era of human artistic accomplishment. By chance, a particular painting catches your eye from across the room. You’re immediately struck by the realistic …
By
Jazz Advice and Tips, Jazz Musicians, Premium Only, Tunes
Every musician dreams of creating solos full of flowing melodic lines. To play compelling ideas over fast tunes, ballads, complex chord progressions, and standard forms like the blues or rhythm changes… The only problem is that most of us are trying to achieve this melodic vision with the same old scales and exercises, piecing them …