Inspiration for improvisers
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Time in the practice room doesn’t equal improvement. Hey, wait a second…That’s right, you read that correctly. It’s time spent practicing the right things that leads to improvement. And this isn’t always the case with most players’ routines, especially when it comes to jazz improvisation… There’s a well-loved myth out there that if you practice, …
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How to Practice Jazz, Inspiration, Jazz Advice and Tips
It’s a new year. I guess that means we should be making some resolutions right about now. New beginnings, a fresh start and all that other good stuff. For most people making “resolutions” translates into sitting down and writing out a list of goals. It’s not a bad exercise to do every now and then …
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Chords, Composition, Playing Techniques, Premium Only
If you took a quick survey and asked a few people to describe the components of bebop, you might come up with some answers like: “fast tempos, lots of notes, Charlie Parker, Dizzy Gillespie, b9’s, b5’s, altered dominants, diminished scales.” While all of these are true, one of the most overlooked, but surprisingly simple devices …
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Inspiration, Jazz Advice and Tips, Jazz Standards
With all the play-along sets and backing tracks available everywhere today, it’s becoming less and less common for people to learn tunes directly from recordings. I mean, why waste your time figuring out the changes when a simple search online can tell you what they are, what scales to play, and provide you with full …
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Jazz Advice and Tips, Perspectives
Let’s be completely honest…My amazing teachers did tell me many of the things that I’m about to tell you…I just didn’t listen! Why didn’t I listen? I don’t know. Immaturity. Stubbornness. The belief that there had to be something else. Something more important. Something more complex. Something better, that mattered more… But these 8 pieces …
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How to Practice Jazz, Jazz Advice and Tips
There seems like there’s so much to practice, but it’s actually an illusion. In today’s day and age, we’re bombarded by information. In approaching or learning literally anything, there’s a million resources for how to achieve it. Looking for the perfect way to slice an apple, or the best diet to get a six-pack? A …
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Chords, Composition, Ear Training, Playing Techniques
Recently we’ve gotten a few questions regarding chord tones: how to work on hearing them, how to aim for them in your lines, and how to connect them when you’re improvising over a chord progression. Understanding the sound and function of chord tones is important to your success as an improviser. However, it’s important to …
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Ear Training, Jazz Advice and Tips, Perspectives
There are really two areas of musicianship, aside from technique on an instrument, that a jazz musician requires to be a complete improviser. One is developing great ears and the other is an intellectual understanding of harmony. These two qualities can especially be found among the countless innovators of the music. Take the musicians of …
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Ear Training, Inspiration, Jazz Advice and Tips, Perspectives
Learning to improvise is a path with many steps leading to many different levels. Contrary to the belief held by some that improvising is a talent, or even a skill allowed to only a special few, the truth is much simpler. Time and again we must tackle new concepts and tirelessly practice them until we …
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Chords, Jazz Musicians, Playing Techniques
Minor chords are found in every style of music, especially in the jazz repertoire. From popular jazz standards and the minor blues, to the ii-V-I progression and the minor vamps that pop up in numerous tunes… The truth of the matter is if you want to sound good in any sort of musical situation, you …
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Composition, Jazz Musicians, Jazz Standards, Premium Only
Repetition. It’s one part of learning to improvise that’s par for the course. We practice scales over and over again until the technique is securely in our fingers, we spend hours repeatedly working out ii-V7 lines that we’ve transcribed, and we memorize the melodies and chord changes to numerous tunes until we can play them …
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What exactly is it that makes the musicians that we call “masters” great? What sets them apart from everyone else? Is it their technique, their sound, their originality, the way they can play over chord progressions? Well…these are all pieces of their mastery, but what is the reason for their mastery? These are questions that …