Inspiration for improvisers
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Jazz Advice and Tips, Transcribing
The typical jazz transcription process usually goes something like this…you start with a solo, you listen to the recording a few times, maybe even slowing it down a bit, then you figure out the notes and carefully write them down, practicing each line until you’ve got it memorized. After a few hours or maybe a …
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Blues, Jazz Advice and Tips, Premium Only
As an improviser, the blues is central to everything that you do…at once a sound, a form, an expressiveness, and a medium through which you can tell your musical story. And it’s something that you’ll be dealing with as long as you play an instrument. You see, the best players not only understand this song …
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Blues, Composition, Jazz Advice and Tips, Jazz Standards, Tunes
You know the routine…You pick out a new tune, read through the melody, and start to work on a solo. You’ve got a few ideas, throw in a couple of your favorite licks, and follow the guide tone lines. And then it happens…you’re stuck playing the same old scales and patterns that you use in every …
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Jazz Advice and Tips, Jazz Musicians, Playing Techniques, Premium Only, Transcribing, Visualization
It sounds so complex. So difficult. So advanced. Great jazz musicians sound as though they’re implementing highly complex and difficult concepts that mere mortals could never hope to access, but in reality, professionals think simpler than you’d ever imagine. It’s the beginners and intermediates who study the pros and abstract what they think is going …
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Jazz Musicians, Playing Techniques, Rhythm, Tunes
Paul Desmond plays the alto saxophone unlike any other…sweet, melodic, and precise, always leading the listener through a clear story from one musical idea to the next – It’s as if every single idea he plays naturally builds on what came before it… So how does he do it? How does Desmond so effortlessly move …
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Inspiration, Jazz Advice and Tips, Perspectives
There aren’t many things that we can all agree on when it comes to discussing the history of jazz, but one thing that we can come to a consensus on is that all the masters of this music had their own voice. Each and every one sounded unique and accomplished in their own way. Every …
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Half-diminished chords are difficult, but they don’t have to be. In How to Not Suck At Half-diminished Chords, I presented a simple way to start to improve at these often neglected chords and if you practiced the exercise in that article, you will without a doubt have made progress. But even with some concentrated effort …
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Composition, Jazz Language, Playing Techniques, Transcribing
So you’ve transcribed some lines and you’re learning them in all keys. You’ve even started to apply them to tunes you’re working on, but after several weeks, the line you transcribed which started out as sounding magical to you, now sounds boring. And on top of that, you’re playing that same line everywhere. Don’t fret. …
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How to Practice Jazz, Jazz Advice and Tips, Transcribing
After hours spent practicing technique: endless articulation, tone, range, and fingering exercises, are you still not matching up to what you’re hearing on your favorite records? Are those same étude books and exercises you’ve been working on for years still not cutting it? It can be very discouraging when you don’t see any improvement in …
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Jazz Musicians, Jazz Standards, Transcribing
With its unique opening chord changes, the jazz standard I Remember You poses quite the challenge to most jazz improvisers, which is surprising because the chords themselves don’t seem that difficult. But it’s not the individual chords that create the problem…It’s the way one chord moves to the next chord… We’re simply not used to …
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Jazz Advice and Tips, Playing Techniques
Think of a jazz standard that you often play. One that you’ve been working on in the practice room. Picture the chord progression in your mind and imagine yourself getting ready to play the first note of your solo. Now stop! This time I want you to take a different approach to the tune… Rather …
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Composition, Jazz Advice and Tips, Jazz Standards
In a recent post: A Blueprint for Building Your Repertoire, I outlined some ideas to ponder while creating a repertoire of tunes. Concepts like how to learn, listen to, and how to approach the Great American songbook as you prepare to build your own repertoire. However, the real work begins when you get into the …