Inspiration for improvisers
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How to Practice Jazz, Inspiration, Jazz Musicians
Clark Terry is one of the legends of this music. He’s played with every big name in jazz over the last half-century from the likes of Count Basie, Duke Ellington, Thelonious Monk, Oscar Peterson, to Ella Fitzgerald…the list could go on forever. With such a rich performing career spanning over six decades, he continues to play …
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In practicing improvisation, one common pitfall that we run into is expecting to find the secrets of jazz all by ourselves. We gather our books and recordings and head into the practice room determined to overcome the difficulties of improvisation with an army of one. What’s the big deal, you taught yourself Spanish, so how …
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The ability to play fluently in all 12 keys is essential for every improviser. Initially, it may seem like you rarely play in certain keys or even that it’s just not necessary to play in every key. So why bother with twelve keys, right? If you look carefully, however, many common standards that are in …
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How to Practice Jazz, Jazz Advice and Tips, Jazz Musicians, Perspectives, Transcribing
Have you ever seen a movie where a certain character stuck with you long after the film was over? Or what about a piece of artwork that kept popping up in your mind’s eye? Maybe you’ve witnessed a speech that had the same lasting effect or attended a concert where the performer played their instrument …
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Blues, Chords, Composition, Jazz Advice and Tips
When it comes to improving as an improviser, there are only so many tunes you can memorize. Only so many chord symbols and progressions you can force into your brain… After a certain point you actually need to learn how to play over these sounds. …and truth be told, this is something that took me …
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How to Practice Jazz, Inspiration, Jazz Advice and Tips, Jazz Education, Jazz Musicians, Jazz Standards, Perspectives
On this site we’ve frequently written about learning tunes. This is no coincidence – learning tunes goes hand in hand with improving as an improviser. Whether you’re practicing, performing, or simply listening to a few records with some friends you’re dealing directly with tunes. Keeping this in mind, building a solid repertoire of tunes should …
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Learning jazz standards is a crucial part of every jazz musician’s practice routine. After all, as a jazz musician, the entire goal is to perform tunes, so it totally makes sense that they should be a central part of your practice… Now, when it comes to learning tunes, it’s how you first learn them that matters …
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Chords, Composition, Jazz Language, Playing Techniques, Premium Only
Recently we received a question about non-standard progressions, specifically the type of progressions you see in Wayne Shorter and Joe Henderson tunes… These types of tunes are notoriously difficult, as they don’t seem to use the same predictable chord progressions that other jazz tunes do. A reader asks: When we’re learning, we go through a …
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Whether it’s figuring out difficult double-time passages, navigating advanced technical lines, or even finding the motivation to do it everyday, transcribing can be difficult. Transcribing, while essential to learning to play the jazz language, is often one of the most demanding tasks to complete on a regular basis for improvisers. Two readers recently asked questions …
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At a certain point in your development as an improviser it becomes necessary to evolve beyond just playing “right notes” and using your favorite licks and move onto playing longer coherent musical phrases that develop over the length of your solo. This can be an especially frustrating stumbling block to overcome in that it takes …
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The harmonic and melodic aspects of practicing jazz improvisation take up the bulk of our time. Consequently, developing a strong sense of time falls by the wayside. I’m as guilty as anyone else, thinking that somehow, it would just take care of itself. Unfortunately, things don’t work that way… The people who have “great time” …
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Jazz Advice and Tips, Jazz Education, Myths, Perspectives
Mastering jazz improvisation seems simple in theory. At least every great player makes it sound that way. And on paper it all looks pretty straight forward. Memorize the chords, learn a few scales, and listen to the masters. With a little practice and transcription you’re good to go – you can almost hear the dazzling …