3 Simple Steps Toward Playing What You Hear

    You've heard it time and time again...PLAY WHAT YOU HEAR!! But when it comes to improvising jazz, how do you actually go about playing what you're hearing? And how do you mentally hear the beautiful...Read More

    You've heard it time and time again...PLAY WHAT YOU HEAR!! But when it comes to improvising jazz, how do you actually go about playing what you're hearing? And how do...Read More

    Thinking About Musical Phrasing for Improvisation

    Recently I’ve been studying and transcribing a lot of Miles from around 1956-1957. Albums like Cookin', Relaxin', and Workin'. More than the notes or the harmonic devices in his solos, the one thing that sticks...Read More

    Recently I’ve been studying and transcribing a lot of Miles from around 1956-1957. Albums like Cookin', Relaxin', and Workin'. More than the notes or the harmonic devices in his solos,...Read More

    Quadruple Your Jazz Language in 10 Minutes

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    Learning jazz language is vital to your success as an improvisor. Without it you're truly lost. You may know a scale, a chord, a concept...but without the fundamental ideas of what to do with these...Read More

    Learning jazz language is vital to your success as an improvisor. Without it you're truly lost. You may know a scale, a chord, a concept...but without the fundamental ideas of...Read More

    Jazz Contrafacts and Reharmonization: A Creative Approach to Jazz Standards

    Creativity in its most basic form is simply the act of taking something old and making it new. Whether you're a novelist, an architect, an engineer or an improviser, artistic creation stems from a desire...Read More

    Creativity in its most basic form is simply the act of taking something old and making it new. Whether you're a novelist, an architect, an engineer or an improviser, artistic...Read More

    Why You Should be the Worst Player in the Room

    If you’re reading this, I’m guessing that you want to be the best. You want to walk into a room with your instrument and completely smash the competition. To tackle every chord progression, every tune,...Read More

    If you’re reading this, I’m guessing that you want to be the best. You want to walk into a room with your instrument and completely smash the competition. To tackle...Read More

    The Jazzadvice Diminished Handbook

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    You've heard about the scales. You understand the music theory. And you've even played through the patterns in a few exercise books. But when it comes to actually improvising with the diminished sound, something is...Read More

    You've heard about the scales. You understand the music theory. And you've even played through the patterns in a few exercise books. But when it comes to actually improvising with...Read More

    The Real Reason You Should Start Transcribing Jazz Solos

    Here’s a thought. What if you could go back in time and take a lesson with John Coltrane? Yes, that John Coltrane. I mean drive up to his home in Dix Hills, knock on the...Read More

    Here’s a thought. What if you could go back in time and take a lesson with John Coltrane? Yes, that John Coltrane. I mean drive up to his home in...Read More

    10 Brilliant Jazz Solos And What You Can Learn From Them

    There is a secret that all great musicians have in common. You won't hear it on their recordings or even in their live performances. And some may even deny it that it ever happened at...Read More

    There is a secret that all great musicians have in common. You won't hear it on their recordings or even in their live performances. And some may even deny it...Read More

    8 Techniques Mark Turner Uses to Dominate the Blues

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    If you’ve ever listened to Mark Turner you’ve probably wondered the same thing as me...What the hell is he playing? Rather than coming from the mind of an improviser, his solos sound like the work...Read More

    If you’ve ever listened to Mark Turner you’ve probably wondered the same thing as me...What the hell is he playing? Rather than coming from the mind of an improviser, his...Read More

    How to Think Like a Pro Jazz Musician: Michael Brecker and The Power of Simplicity

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    It sounds so complex. So difficult. So advanced. Great jazz musicians sound as though they're implementing highly complex and difficult concepts that mere mortals could never hope to access, but in reality, professionals think simpler...Read More

    It sounds so complex. So difficult. So advanced. Great jazz musicians sound as though they're implementing highly complex and difficult concepts that mere mortals could never hope to access, but...Read More

    How to Learn Chord Changes Straight Off a Recording: A Handbook [Free Download]

    Learning a tune straight from a recording is THE way to learn it. But the most difficult part is always deciphering the chord changes. And it's certainly not an easy task compared to the alternative...Read More

    Learning a tune straight from a recording is THE way to learn it. But the most difficult part is always deciphering the chord changes. And it's certainly not an easy...Read More

    How to Learn a Tune’s Chord Changes in 5 Minutes or Less

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    What if I told you there’s a simple little trick to learn chord changes to a tune in a just a few minutes? That the countless hours you’ve spent reading tunes out of the Real...Read More

    What if I told you there’s a simple little trick to learn chord changes to a tune in a just a few minutes? That the countless hours you’ve spent reading...Read More

    How to Memorize Even the Most Difficult Tunes Right Now

    Some tunes seem to make absolutely no sense, like the chords changes are some random crazy collection of complex sounds…But with a little know-how, using the same tactics we showed you in our recent lesson...Read More

    Some tunes seem to make absolutely no sense, like the chords changes are some random crazy collection of complex sounds…But with a little know-how, using the same tactics we showed...Read More

    Formulas For Applying Jazz Language To Different Harmonic Situations

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    As the article last Wednesday discussed, learning to apply language to tunes is crucial because it puts the language into context, allowing your ears and fingers to gain an understanding of how to integrate the...Read More

    As the article last Wednesday discussed, learning to apply language to tunes is crucial because it puts the language into context, allowing your ears and fingers to gain an understanding...Read More

    Mulgrew Miller’s Secrets to All the Things You Are

    All The Things You Are is a timeless jazz standard...Charlie Parker, Stan Getz, Ella Fitzgerald, Sinatra...these are just some of the legends that recorded it. But with its traveling tonal centers and unfamiliar keys, this...Read More

    All The Things You Are is a timeless jazz standard...Charlie Parker, Stan Getz, Ella Fitzgerald, Sinatra...these are just some of the legends that recorded it. But with its traveling tonal...Read More

    5 Must-Know Bebop Tactics From Sonny Stitt

    Bebop language is at the very heart of jazz. From the classic beboppers to the crazy out players, every great jazz improviser has spent time absorbing, imitating, and developing timeless bebop language. There’s just something about...Read More

    Bebop language is at the very heart of jazz. From the classic beboppers to the crazy out players, every great jazz improviser has spent time absorbing, imitating, and developing timeless bebop...Read More