Inspiration for improvisers
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Composition, Jazz Advice and Tips, Perspectives, Tunes
As a musician, you often find yourself listening to the best improvisers you can. Searching for inspiration, guidance, and answers to the challenges you’re facing. Especially when it comes to those records that include the same jazz standards you’re trying to learn… You want to figure out exactly what your favorite players are doing over …
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Blues, Chords, Composition, Jazz Standards, Music Theory, Perspectives, Tunes
Have you ever noticed how there’s a special group of improvisers that seem to know EXACTLY what to play over any tune at any time – no matter what it is? The key doesn’t matter, the tempo doesn’t matter, even the style of music doesn’t matter… You could blindfold them, fly them to a jam …
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Anyone can improvise! – The phrase rolls off the tongue with the banality of many a late-night infomercial. “Anyone can get ripped abs! Anyone can make millions from home! Anyone can speak Navajo!” But when it comes to jazz, is this statement really true? This has been a debate in the jazz education world since …
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Let’s say this: You’re a 25 year old guitar player, serious and passionate about what you do. Each day after work you come home and head into the practice room, learning songs, practicing your technique, and dreaming about getting onstage. But despite all of this effort you’re still not seeing the progress you want. Or …
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You may think you know music theory. And you’re probably willing to bet good money that you know the chords to your favorite tunes. Most musicians would…Hell, a few years ago I would’ve looked you straight in the eyes and said without a doubt that I knew all the music theory that I need to …
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Chords, Composition, Ear Training
In our first article of Fundamental Ear Training Exercises, we covered how to choose an ear training partner, the correct mindset to approach ear training with, and exercises about singing & hearing intervals, harmonic intervals, and triads. After you feel you’ve got a pretty good handle on everything presented in that previous article, it’s time …
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Composition, Inspiration, Jazz Advice and Tips, Jazz Education, Perspectives
Everyone hopes to be perfect one day. Play with perfect intonation, the perfect sound, perfect lines…But what if I told you that the whole idea of perfection is actually what’s holding you back? That aiming for some self-imposed ideal of what’s perfect could not only be hurting your practice, but taking the fun and self …
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Chords, Ear Training, Jazz Advice and Tips, Perspectives, Playing Techniques
Each day when you get your instrument out of its case and set out to practice improvisation, your goal is to play the right notes. Whether it’s playing with great technique and great sound or finding the best line to play over that new tune, you’re looking for the fastest way to sound good over …
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Jazz Advice and Tips, Playing Techniques
Transposition is a skill that all musicians will need at some point in their careers. Whether you play a transposing instrument or an instrument in concert pitch, there are inevitably going to be times that call for reading music or soloing from chord changes that are not in your key. Trumpet players, saxophone players, and …
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Chords, Composition, Jazz Language, Playing Techniques, Scales, Transcribing
What’s the most important chord progression that you need to know as a musician? Well that’s a good question…In the past we’ve explored some common chord relationships that you’ll encounter as an improviser, but there is one chord relationship that sticks out above the rest. Any guesses? It’s the relationship of the five chord to …
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What exactly is ear training? You’ve heard musicians talk about it. Your teachers have recommended it. And if you’re a regular here you’ve seen it pop up in more than a few lessons…But I’m guessing the thing that’s made the biggest impression on you was being in the presence of a musician with truly amazing …
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Jazz Standards, Premium Only, Tunes
You’re on stage. In the practice room. Or rehearsing with your friends. It’s time to run through yet another jazz standard. But here’s the thing, this time you’re not going play it like you always do. You’re done sounding like everyone else with a real book. It’s time to get creative on your own terms… …