Inspiration for improvisers
By
Composition, Jazz Musicians, Jazz Standards, Premium Only
Repetition. It’s one part of learning to improvise that’s par for the course. We practice scales over and over again until the technique is securely in our fingers, we spend hours repeatedly working out ii-V7 lines that we’ve transcribed, and we memorize the melodies and chord changes to numerous tunes until we can play them …
By
Composition, Jazz Musicians, Playing Techniques
Every musician wants to sound hip and modern…To play complex lines that move outside of the harmony and above the time. Solos that’ll make your fellow musicians shake their heads in disbelief and leave the audience speechless. The only problem is that few players actually get to this point, and even less sound authentic, unique, …
By
Jazz Advice and Tips, Jazz Musicians
One thing that often gets lost in the music theory and technical exercises of our daily practice is the fact that improvisation at it’s core, is musical storytelling… Think about it, any tune that you play or any solo that you take is a platform for you to tell your own story…an opportunity to share …
By
Blues, Jazz Advice and Tips, Jazz Language, Jazz Musicians, Jazz Standards, Perspectives
Blues is the backbone of so much in jazz. The melancholic feeling. The soul. The call-and-response phrasing, walking groove, and clearly defined melodic statements…blues is ingrained in jazz at its very roots. And every jazz musician at some point or another has to learn how to play the blues. There’s no way around it. If …
By
Inspiration, Jazz Advice and Tips, Myths, Perspectives
You’re searching for the perfect sound. You want to play long improvised lines with ease. You want to have effortless high range, to play swinging phrases with a stellar tone, and to sound great on any jazz standard. And to get there you just need that perfect instrument. That vintage Martin Committee trumpet, that mint condition …
By
We talk about jazz language a lot: what it is, what it isn’t, how to get it, and what to do with it. We constantly strive to better communicate these aspects of learning language because of the vital role that language plays in successful improvisation. It’s essentially all the raw melodic material you draw from …
By
Jazz Education, Perspectives, Playing Techniques
We receive countless emails expressing gratitude for Jazzadvice.com and we greatly appreciate the thousands of people that visit each and every week. It’s because of you (our awesome readers) that we continue to write and find new ways to communicate things, striving to be clearer and clearer. To our readers, a sincere thank you. But …
By
At a certain point in your development as an improviser it becomes necessary to evolve beyond just playing “right notes” and using your favorite licks and move onto playing longer coherent musical phrases that develop over the length of your solo. This can be an especially frustrating stumbling block to overcome in that it takes …
By
Learning jazz standards is a crucial part of every jazz musician’s practice routine. After all, as a jazz musician, the entire goal is to perform tunes, so it totally makes sense that they should be a central part of your practice… Now, when it comes to learning tunes, it’s how you first learn them that matters …
By
Jazz Advice and Tips, Playing Techniques, Rhythm
Uggh…ouch…Have you ever made these sounds when you’ve listened to a solo? You know, one of those solos where you hear a couple of unsavory phrases and that’s it…no more! For the love of God, please make it stop! If you listen to a good amount of music, I’ll bet you have. But what exactly …
By
Often times, we get pushed down a very narrow, prescribed path when it comes to learning and performing jazz. Without question, we get complacent with the established rules of others whether it’s the guidelines of an educational program, the expectations of the people around us, or the limits of a label for the music. We …
By
Jazz ear training – What makes it different from general ear training? That’s a great question and when a reader recently asked this, it definitely made me think. They both focus on intervals, chords, root movement, and have other common ground, but how are they actually different? Over the years, I’ve taken quite a few …