Inspiration for improvisers
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In today’s world, it’s easy to be overwhelmed. We live in a time of excess information and much of it is misleading. But supposing you’ve separated the good stuff from the stack, it still feels like there’s so much to learn… Take this site for instance. I’d like to think that we have a ton …
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Let’s face it. As improvising musicians, we’ve become obsessed with notes. Obsessed with harmony, chords, and scales. Which scales to use over which chord progressions, which diminished scales to play over dominant chords, how to play “outside,” how to play “inside,” which chords can be substituted for others…We even reduce entire sounds, full of infinite …
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The old maxim “A is for effort” does not apply when it comes to jazz improvisation or playing any style of music. Effort is the last thing you want. In fact, we seek effortlessness. When it comes to playing our instruments, the ultimate goal is to be as efficient as possible. No movement or mind-share …
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Amateurs phrase in a way that sounds boring and boxy. In contrast, professionals phrase in a way that gives excitement and forward motion to their playing. In this article I’ll explore some tendencies that I’ve observed in the recordings of my heroes. Of course, your personal observations would result in different conclusions, which is why …
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You’re waiting by the stage. In a few moments it’ll be your turn to walk into the spotlight to take a solo. And your heart is beating a mile a minute. But there’s just one problem – you don’t know the key of the song and you don’t know the chords. All you know is …
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Music is the space between the notes – Claude Debussy. The use of space is what defines our lines. Learning how to control our use of space allows us to define our lines precisely how we want to. To gain this control, we must focus our attention on where we rest. Most of our practice …
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A reader recently asked: “I was wondering about how to play over altered dominant chords. What are some strategies for playing over Dominant 7 #9 chords, specifically.” This question comes up frequently for many improvisers. It seems like everyone has a “fail safe” scale or lick that they use exclusively every time they see an …
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Half-diminished chords are difficult, but they don’t have to be. In How to Not Suck At Half-diminished Chords, I presented a simple way to start to improve at these often neglected chords and if you practiced the exercise in that article, you will without a doubt have made progress. But even with some concentrated effort …