Inspiration for improvisers
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Composition, Jazz Musicians, Playing Techniques
Every musician wants to sound hip and modern…To play complex lines that move outside of the harmony and above the time. Solos that’ll make your fellow musicians shake their heads in disbelief and leave the audience speechless. The only problem is that few players actually get to this point, and even less sound authentic, unique, …
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How to Practice Jazz, Jazz Language, Jazz Musicians
When you’re first starting out on your journey learning how to play jazz, you’ll typically come across two different camps of how to go about things… One camp believes that you need a lot of music theory, particularly scales and modes, along with an understanding of how modes are applied to chords. Many refer to …
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Jazz Advice and Tips, Jazz Language, Jazz Musicians, Playing Techniques
All The Things You Are is a timeless jazz standard…Charlie Parker, Stan Getz, Ella Fitzgerald, Sinatra…these are just some of the legends that recorded it. But with its traveling tonal centers and unfamiliar keys, this tune is sure to give every improviser quite a challenge! When it comes to figuring out the secrets to a …
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How to Practice Jazz, Jazz Advice and Tips
Do you ever get the sneaking suspicion that you’re playing the same solo over and over again? As if you’re traveling down a familiar well-worn path in every single tune, regardless of the key, the tempo, or even the chord progression… Minor chords get your favorite minor lines, major chords get major scales, ii-V’s get …
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In a recent question from a reader, I was asked why in many examples on this site do I denote the iii chord in a iii Vi ii V as half-diminished? This is an excellent question. In many lead sheets you see the iii chord denoted as minor and many theory books claim that the …
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Chords, Composition, Jazz Language, Playing Techniques, Scales, Transcribing
What’s the most important chord progression that you need to know as a musician? Well that’s a good question…In the past we’ve explored some common chord relationships that you’ll encounter as an improviser, but there is one chord relationship that sticks out above the rest. Any guesses? It’s the relationship of the five chord to …
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Playing Techniques, Premium Only
You’ve heard solos with wrong notes. Unfortunate note choices that make you cringe, questionable scales that clash with the chords, and licks that sound forced and unnatural. But I’m guessing you’ve also heard players that can make any note sound good over any chord, as if they can simply improvise whatever they want. Here’s the …
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A recurring theme on this site seems to be language – acquiring, practicing, and applying the jazz language. There is a reason behind all the repetition, however. Language is a very powerful concept when it comes to improvisation and it’s an idea that can drastically change your mentality about the music. But, even before you …
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Jazz Advice and Tips, Playing Techniques
Think of a jazz standard that you often play. One that you’ve been working on in the practice room. Picture the chord progression in your mind and imagine yourself getting ready to play the first note of your solo. Now stop! This time I want you to take a different approach to the tune… Rather …
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Jazz Advice and Tips, Playing Techniques, Premium Only
Do you ever feel like you’re stuck in a routine? Going through the motions day in and day out. Performing the same tasks at the same time, no matter what. You can almost predict it like clockwork… The truth is everyone knows this feeling because we’re creatures of habit. We find the path of least …
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Jazz Advice and Tips, Perspectives
Jazz education has steadily become increasingly popular and for good reason: playing jazz is fun! In an attempt to make jazz improvisation accessible to everyone, much of the learning material has been reduced and packaged in a manner to get people playing at a mediocre level more quickly. The problem is that these methods get …
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Most improvisers cringe when they hear the words Giant Steps. Their hearts start pounding and they frantically try to remember the patterns they’ve worked out over the chord progression. If you’ve ever tried to play over this tune, I’m sure you know the feeling… Chords flying by at a breakneck speed, awkward changes, and fingers …