Inspiration for improvisers
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Every chord tone has its own unique sound, its own unique color. Learning to hear these colors brings these sounds to life. This crucial ear training is often overlooked or even talked about. Take your time and study it carefully… Match piano pitches accurately The first step toward hearing these colors is to hear a …
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Blues, Jazz Musicians, Jazz Standards, Premium Only
If you’ve ever listened to Mark Turner you’ve probably wondered the same thing as me…What the hell is he playing? Rather than coming from the mind of an improviser, his solos sound like the work of an ambitious architect. Complex structures reaching into the stratosphere, lines with impossibly wide leaps, columns of arpeggios, and winding …
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Ear Training, Jazz Advice and Tips, Tunes
As a musician you know should be learning tunes…After all it’s the backbone of how you play with other musicians, speak the language, and share your musical ideas. But, the big question is: How exactly should you go about doing this? Right now you might be wondering this as you work to build your repertoire …
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They say that time is money, but in jazz improvisation, it’s even more than that! Time is what’s passing by while you’re desperately trying to recall the next chord change in a tune, the notes to the melody, or what to play at any given moment of your solo… Everything in jazz improvisation happens in …
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Chords, Composition, Jazz Language, Premium Only
As the article last Wednesday discussed, learning to apply language to tunes is crucial because it puts the language into context, allowing your ears and fingers to gain an understanding of how to integrate the language into your overarching concept. Over time, the language you practice this way will spontaneously materialize in new form, surprising …
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How to Practice Jazz, Inspiration, Jazz Advice and Tips
We get hundreds of questions every month. We do our best to answer as many as we possibly can and write articles about the most provocative ones. Below are answers to the most common questions, pointing you to the many articles that will help resolve the question. Enjoy. Who should I transcribe? Transcribing is an …
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Inspiration, Jazz Advice and Tips, Jazz Standards
With all the play-along sets and backing tracks available everywhere today, it’s becoming less and less common for people to learn tunes directly from recordings. I mean, why waste your time figuring out the changes when a simple search online can tell you what they are, what scales to play, and provide you with full …
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How to Practice Jazz, Playing Techniques
You’ve been thinking about it all day. As you ate breakfast. On your commute to work. And while you were sitting at your desk watching the seconds tick by. You need to practice. You need to start making progress and achieving your musical goals. And you need to do it right now! But before you …
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Jazz Advice and Tips, Jazz Education, Myths, Perspectives
Mastering jazz improvisation seems simple in theory. At least every great player makes it sound that way. And on paper it all looks pretty straight forward. Memorize the chords, learn a few scales, and listen to the masters. With a little practice and transcription you’re good to go – you can almost hear the dazzling …
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How to Practice Jazz, Jazz Language, Rhythm, Tunes
Every single musician to ever embark on learning to improvise jazz runs into countless musical problems. That’s just the way it is. One problem after another, figuring out different ways to approach a progression in hopes of clarifying their musical ideas and better communicating them to the listener. So if you want to play jazz, …
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Blues, Jazz Advice and Tips, Jazz Language, Jazz Musicians, Jazz Standards, Perspectives
Blues is the backbone of so much in jazz. The melancholic feeling. The soul. The call-and-response phrasing, walking groove, and clearly defined melodic statements…blues is ingrained in jazz at its very roots. And every jazz musician at some point or another has to learn how to play the blues. There’s no way around it. If …
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The difference between many subjects and jazz improvisation is that the latter has no single correct and well-defined path. Every person takes a different route depending how they learn, how they hear, what they want to sound like, and countless other factors. Because we all are shooting for different musical goals and have different ways …