Inspiration for improvisers
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The difference between many subjects and jazz improvisation is that the latter has no single correct and well-defined path. Every person takes a different route depending how they learn, how they hear, what they want to sound like, and countless other factors. Because we all are shooting for different musical goals and have different ways …
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Perspectives, Playing Techniques, Transcribing
Transcribing can be beneficial no matter how you do it. Often when I go to transcribe, I like to have a specific goal in mind of what I am aiming to accomplish, making for rapid improvement in areas that need the most work. It’s essentially a problem/solution approach: Identify what problems you’re having Find the …
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How to Practice Jazz, Jazz Advice and Tips
If you think about it, the elements of your practice routine are like the different sections of a well-structured work-out plan. You’ve got your warm-up & stretching, cardio, strength training, resistance work outs, and the list goes on… Every exercise has a specific role and develops a specific muscle group. When you put them together …
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How to Practice Jazz, Jazz Advice and Tips, Perspectives
Despite what everyone thinks, being creative isn’t easy. You don’t just suddenly find yourself with talent one day and immediately start creating great works of art. It takes years of hard work to develop artistic skills and once you have these skills, it’s no guarantee that your artistic vision will always find a way to …
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Composition, Ear Training, Jazz Standards
Bebop “heads,” what jazz players sometimes call the melody of a tune, tend to be some of the trickiest and most technically demanding strings of notes you’re likely to encounter. Much busier than classic jazz standards, these intricate melodies are generally more difficult to learn, understand, and commit to memory. So what do you do …
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Composition, Jazz Advice and Tips, Jazz Standards
In a recent post: A Blueprint for Building Your Repertoire, I outlined some ideas to ponder while creating a repertoire of tunes. Concepts like how to learn, listen to, and how to approach the Great American songbook as you prepare to build your own repertoire. However, the real work begins when you get into the …
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How to Practice Jazz, Inspiration, Jazz Advice and Tips
You’re constantly practicing, listening, and striving to improve your ability to improvise…yet for some strange reason, the next level of playing somehow seems to elude you. Etudes aren’t doing the trick. Scale patterns have become boring and predictable. And memorized lines simply won’t translate into amazing musical phrases. Despite all of your time and effort, …
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Jazz Musicians, Jazz Standards
Confirmation is one of those tunes that gives most people a difficult time. But somehow Charlie Parker had no problem playing the most beautiful lines over it time and time again. His lines flow naturally and effortlessly as if he’s composing a perfect solo in real-time… In fact, I remember Eric Alexander telling us students …
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Chords, Jazz Musicians, Jazz Standards, Transcribing
When you start to transcribe and discover what your musical heroes are doing, you begin to open up a whole new understanding about how to improvise and approach chord changes. But then the problem soon becomes, how do you take this understanding and put it into your musical practice? In other words, transcribing is great …
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Chords, Composition, Jazz Musicians
What do you play over a minor ii V? Minor ii Vs are notoriously tricky. As compared to their brother, the ii V in major, the ii V in minor adds quite a few more challenges. First off, instead of a minor 7 ii chord, it has a minor 7 b5 ii chord. This causes …
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Chords, Composition, Ear Training, Jazz Standards, Transcribing
Learning tunes should be fun. If ever there was a secret to expanding your repertoire of tunes this would be it. You’re more likely to pursue an activity that’s exciting, interesting, and challenging rather than one that feels like an annoying chore. At the end of a long day you’re going to put the hours …
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Jazz Advice and Tips, Music Theory, Perspectives
Let’s face it, improvisation is hard enough as it is, even when we do spend the time in the practice room. But however much we study or practice, there are some key factors that can destroy our creativity and ability to improvise in seconds. We’ve all experienced this feeling before in performance. You hear an …