Inspiration for improvisers
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Jazz Advice and Tips, Jazz Language, Transcribing
The extreme ranges of any instrument express extreme emotion, but they’re not easy to tackle. The high register is notoriously difficult on most instruments and the low register is often under-developed and under-utilized. The standard approach towards these registers is to extend your scales and arpeggio exercises as high and as low as you can. …
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Learn tunes. Transcribe solos. The instructions for aspiring jazz musicians are pretty much the same everywhere you go. You want to play longer lines and master tricky chord progressions? “Learn tunes and transcribe solos.” Need more technique and better ears? You get the idea… We receive this advice from our teachers, friends, and from our …
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Jazz Advice and Tips, Perspectives
Being successful as a jazz musician isn’t all about practice routines, ii-V licks, or memorizing tunes. Sometimes getting to the next level as a player is all about having the right perspective. Here are 20 things every improviser should know… 1. Nobody’s checking for your music degree Just because you graduated with a degree in …
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Chords, Composition, Ear Training, Jazz Standards
Chord function is a confusing topic that is intricately tied to other just as confusing topics like voice leading, harmonic tension and resolution, intervallic content, chord voicings, chord families and more! Today we’ll unravel the slew of questions that arise from exploring chord function. Questions like, how do you build chords within a key? Why …
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Jazz Advice and Tips, Jazz Education, Perspectives
In jazz education, one thing that you encounter right off the bat are rules. There seem to be rules for every aspect of the music: Which scales you’re allowed to use over certain chords, which chord tones you’re supposed to land on, how to correctly employ voice leading in a line, what notes to avoid …
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Jazz Musicians, Jazz Standards, Premium Only
Here’s a question for you…Are you making the process of learning to play jazz standards harder than it has to be? …searching for answers in theory books, obsessing over scales, and turning your daily practice session into a soul-searching quest for your personal sound when you just want to be playing music? The thing is, learning …
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Chords, Composition, Jazz Advice and Tips, Jazz Standards, Playing Techniques, Premium Only
The process of learning to improvise is a journey. A long and rewarding journey and one that is punctuated by a series of milestones. This can be hard to see from that comfy seat inside of your practice room, but take a step back from your daily routine and look at the path that brought …
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Inspiration, Jazz Advice and Tips, Jazz Education, Jazz Musicians
Music is meant to be heard live. There is no substitute for the visceral experience of sitting in an audience and soaking up a great live performance. Not only hearing the music, but feeling the physical vibrations of those melodies, chords and rhythms. Seeing the interaction between musicians as they collectively create music in the …
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Blues, Jazz Advice and Tips, Perspectives
You’re staring at a chord progression on a lead sheet. Thinking through the first few bars of a jazz standard. You’re getting ready to start your solo and carefully choosing the first phrase you’ll play… It’s finally time to show off the stuff you’ve been working on. Time to create music on the spot instead …
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Inspiration, Myths, Perspectives
Learning how to improvise is not nearly as clear as people think. And what makes it worse is that there are quite a few myths about it. Today, in no particular order, we’re going to dispel five myths about jazz improvisation for you right now! Myth #1 When it comes to improvising, you either got …
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You may think you know music theory. And you’re probably willing to bet good money that you know the chords to your favorite tunes. Most musicians would…Hell, a few years ago I would’ve looked you straight in the eyes and said without a doubt that I knew all the music theory that I need to …
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The dominant chord is one of the most versatile chords in the jazz repertoire, and it’s your best bet for adding harmonic tension and melodic interest to your lines. The only problem is that many players approach this sound with the same old scales and licks every time. And this can get pretty boring… That’s …