Inspiration for improvisers
By Eric
Charlie Parker’s iconic take on the Blues form, commonly referred to as the “Bird Blues,” is a staple of the modern jazz repertoire and a rite of passage for every serious improviser… However, this particular tune can pose a challenge for even the best players, and oftentimes it’s reduced to predictable theory devices. That’s why …
By Eric
We all know about Charlie Parker the revolutionary soloist, but we often overlook Charlie Parker “the composer.” Bird wrote a number of songs over popular song forms that quickly became jazz standards, especially these 10 heads he wrote over the Blues… And like his many mind-blowing solos, Charlie Parker’s compositions can give us a unique …
By Eric
, Blues
As an improviser, the blues is central to everything that you do…at once a sound, a form, an expressiveness, and a medium through which you can tell your musical story. And it’s something that you’ll be dealing with as long as you play an instrument. You see, the best players not only understand this song …
By Eric
As musicians, we often treat the songs of the jazz repertoire in the same predictable way. We learn the chords, memorize the notes of the melody, and then we skip ahead to the important stuff – Improvising our own solos over the tune… But is this really all that jazz standards are good for?? For …
By Forrest
, Blues, Miles Davis
If you want to learn the language of jazz, then transcribing a blues solo should be at the top of your list! But if you’re just starting to transcribe jazz solos, the task might seem daunting or way over your head. In fact many beginners who want to play jazz completely shy away from transcribing …
By Forrest
, Blues
Blues is the backbone of so much in jazz. The melancholic feeling. The soul. The call-and-response phrasing, walking groove, and clearly defined melodic statements…blues is ingrained in jazz at its very roots. And every jazz musician at some point or another has to learn how to play the blues. There’s no way around it. If …
By Eric
Every serious improviser has to deal with the blues. From the players just starting out in school, to the musicians at local jam sessions, to the biggest names performing on international stages. Because the blues goes hand in hand with creating music in the moment. But unlike many players think, it goes beyond the blues …
By Eric
, Blues
If you’ve ever listened to Mark Turner you’ve probably wondered the same thing as me…What the hell is he playing? Rather than coming from the mind of an improviser, his solos sound like the work of an ambitious architect. Complex structures reaching into the stratosphere, lines with impossibly wide leaps, columns of arpeggios, and winding …