3 Transitions in the Blues You Gotta Nail: Charlie Parker Bosses the Blues
Blues is the backbone of so much in jazz. The melancholic feeling. The soul. The call-and-response phrasing, walking groove, and clearly defined melodic statements…blues is ingrained in jazz at its very roots. And every jazz musician at some point or another has to learn how to play the blues. There’s no way around it. If ...
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Mastering Essential Chord Progressions: The I to IV Relationship
When it comes to improving as an improviser, there are only so many tunes you can memorize. Only so many chord symbols and progressions you can force into your brain… After a certain point you actually need to learn how to play over these sounds. …and truth be told, this is something that took me ...
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Master the Jazz Transcription Process: A Step-by-Step Guide to Learning from the Pros
Over the years I’ve attended dozens of masterclasses. Poured through hundreds of interviews with master musicians, and took lessons with the best players I could find. However, after a few years ONE thing kept surprising me – there was a disconnect between what these great players said and what they actually did… In fact, some ...
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How to Play the Blues Like a Pro: A Lesson with Wynton Kelly
Every serious improviser has to deal with the blues. From the players just starting out in school, to the musicians at local jam sessions, to the biggest names performing on international stages. Because the blues goes hand in hand with creating music in the moment. But unlike many players think, it goes beyond the blues ...
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3 Secrets to Soloing with the Pentatonic Scale: A Lesson with McCoy Tyner
No pianist has influenced the modern approach to jazz piano more than McCoy Tyner. From players like Chick Corea and Mulgrew Miller to non-pianists like Woody Shaw and Michael Brecker, McCoy has left his mark on generations of serious improvisers. And one distinctive element of his approach to improvising is his creative use of the ...
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8 Techniques Mark Turner Uses to Dominate the Blues
If you’ve ever listened to Mark Turner you’ve probably wondered the same thing as me…What the hell is he playing? Rather than coming from the mind of an improviser, his solos sound like the work of an ambitious architect. Complex structures reaching into the stratosphere, lines with impossibly wide leaps, columns of arpeggios, and winding ...
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8 Improvisation Improvement Projects That Will Change Your Playing
Practice is an essential part of your journey as a musician. We all do it every day…or at least we try our best to, however daily practice doesn’t always guarantee improvement. Why? Simply because not all practice is created equal. If you look at the big picture there are two basic types of practice: (1) ...
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Thinking About Musical Phrasing for Improvisation
Recently I’ve been studying and transcribing a lot of Miles from around 1956-1957. Albums like Cookin’, Relaxin’, and Workin’. More than the notes or the harmonic devices in his solos, the one thing that sticks out about Miles is his sense of phrasing. This is what sets him apart and why so many listeners connect ...
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How to Learn Jazz Improvisation: The Ultimate Guide
So you want to learn how to improvise jazz and that’s great, but where on Earth do you start jazz improvisation?!?! There’s so much information out there that figuring out where to begin playing jazz is a complete nightmare. But I’ll tell you this right now…If I could start jazz improvisation again today, I’d do ...
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7 Harmonic Breakthroughs that Completely Changed My Playing
Every so often you’ll make a musical discovery that will drastically change the way you approach improvisation. One day you’re struggling over the same tunes, growing more and more frustrated with your own predictable patterns and then it hits you – you discover a secret that was hidden right before your eyes. A subtle mental, ...
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Basic Bebop Reharmonization
If you took a quick survey and asked a few people to describe the components of bebop, you might come up with some answers like: “fast tempos, lots of notes, Charlie Parker, Dizzy Gillespie, b9’s, b5’s, altered dominants, diminished scales.” While all of these are true, one of the most overlooked, but surprisingly simple devices ...
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Building Your Repertoire Part II: 10 Key Tunes
In a recent post: A Blueprint for Building Your Repertoire, I outlined some ideas to ponder while creating a repertoire of tunes. Concepts like how to learn, listen to, and how to approach the Great American songbook as you prepare to build your own repertoire. However, the real work begins when you get into the ...
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