A Night in Tunisia: Navigating the Interlude & Solo Break
The interlude and solo break of A Night in Tunisia is a scary moment. The build up. The intensity. All eyes are on you. The band drops out, and somehow you have to play something convincing while keeping the time. The first time I performed A Night in Tunisia was at a concert my freshman ...
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10 Hidden Gems from Charlie Parker on the Blues
When it comes to the blues, few voices sing as clearly, or as creatively, as Charlie Parker’s. While Bird is often celebrated for his iconic solos and well-known standards, there’s a treasure trove of lesser-known blues melodies in his catalog that offer equal insight into his musical genius. In this lesson, we’re diving into 10 ...
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Bird Blues: A Player’s Guide
Charlie Parker’s iconic take on the Blues form, commonly referred to as the “Bird Blues,” is a staple of the modern jazz repertoire and a rite of passage for every serious improviser… However, this particular tune can pose a challenge for even the best players, and oftentimes it’s reduced to predictable theory devices. That’s why ...
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10 Charlie Parker Blues Heads Everyone Should Know
We all know about Charlie Parker the revolutionary soloist, but we often overlook Charlie Parker “the composer.” Bird wrote a number of songs over popular song forms that quickly became jazz standards, especially these 10 heads he wrote over the Blues… And like his many mind-blowing solos, Charlie Parker’s compositions can give us a unique ...
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The Ultimate Guide to Bebop Tunes: 30 Essential Songs
Bebop, or the innovative musical revolution of the 1940’s led by Charlie Parker and Dizzy Gillespie, is one of the pillars of learning to improvise as a modern musician. …and it’s something that every serious player should spend some time studying. Chances are you’ve heard of Bird & Diz and the contribution of players like ...
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Hot House – How to Unravel Complex Bebop Heads
Bebop “heads,” what jazz players sometimes call the melody of a tune, tend to be some of the trickiest and most technically demanding strings of notes you’re likely to encounter. Much busier than classic jazz standards, these intricate melodies are generally more difficult to learn, understand, and commit to memory. So what do you do ...
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How to Build Your Jazz Vocabulary Fast
When you’re first starting out on your journey learning how to play jazz, you’ll typically come across two different camps of how to go about things… One camp believes that you need a lot of music theory, particularly scales and modes, along with an understanding of how modes are applied to chords. Many refer to ...
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5 Roy Hargrove Phrases to Master Yardbird Suite
One thing that often gets lost in the music theory and technical exercises of our daily practice is the fact that improvisation at it’s core, is musical storytelling… Think about it, any tune that you play or any solo that you take is a platform for you to tell your own story…an opportunity to share ...
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Master All The Things You Are Part II: The Bridge
All the Things You Are is one of the first tunes musicians learn when it comes to jazz improvisation. But unlike many players think, it’s not exactly an “easy tune” or something that only beginners should play… This is especially true of the Bridge of this popular jazz standard. Hidden within these eight bars are ...
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Charlie Parker’s Brilliant Licks and Tricks on I Remember You
With its unique opening chord changes, the jazz standard I Remember You poses quite the challenge to most jazz improvisers, which is surprising because the chords themselves don’t seem that difficult. But it’s not the individual chords that create the problem…It’s the way one chord moves to the next chord… We’re simply not used to ...
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15 Jazz Improvisation Projects You Can Do at Home
As musicians, we often dream big and set lofty goals for where we want our playing to go. And the one place where we go to turn these dreams into reality is the practice room… This is your precious time to focus on the areas of your playing that have been ignored, that need improvement, ...
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3 Transitions in the Blues You Gotta Nail: Charlie Parker Bosses the Blues
Blues is the backbone of so much in jazz. The melancholic feeling. The soul. The call-and-response phrasing, walking groove, and clearly defined melodic statements…blues is ingrained in jazz at its very roots. And every jazz musician at some point or another has to learn how to play the blues. There’s no way around it. If ...
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