Two Five Progressions Made Easy
The ii V progression makes up the vast majority of chord changes within the jazz standard repertoire. Much of our success or failure as improvisors comes from being able to navigate this deceptively simple progression. Learning how to play over ii Vs is actually much easier than you think. The mistake most people make is ...
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3 Steps to Freedom In All 12 Keys
The ability to play fluently in all 12 keys is essential for every improviser. Initially, it may seem like you rarely play in certain keys or even that it’s just not necessary to play in every key. So why bother with twelve keys, right? If you look carefully, however, many common standards that are in ...
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Fundamental Ear Training: Seventh Chords
In our first article of Fundamental Ear Training Exercises, we covered how to choose an ear training partner, the correct mindset to approach ear training with, and exercises about singing & hearing intervals, harmonic intervals, and triads. After you feel you’ve got a pretty good handle on everything presented in that previous article, it’s time ...
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Mastering Sus Chords: Adding Options to Your Arsenal
Sus chords on tunes like Herbie Hancock’s Maiden Voyage can be pretty confusing for the developing improviser. Is it a normal dominant chord? What’s special about it? Do you need a new scale? Are you allowed to play the third of the chord? After studying and transcribing solos of some of my favorite players over ...
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How to Not Suck at Half-Diminished Chords
For most people, half diminished chords remain a mystery. Also known as minor 7b5 chords, they seem to fall by the wayside, never getting as much attention as major, dominant, or minor chords… The result: nearly everyone sucks at them Think about it. Are you as comfortable on Bb half diminished as Bb major? if ...
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