Inspiration for improvisers
By Forrest
If you’ve ever been to a jam session before, you’ve probably encountered the famous Thelonious Monk tune Well You Needn’t. Over the years, it’s become one of the most popular jazz standards, but unfortunately, this is one of the tunes that the infamous Real Book got wrong… The chord progression of Well You Needn’t written …
By Eric
There are a lot of skills you need in jazz improvisation…Developing great ears, a knowledge of tunes, instrumental technique, and a mastery of jazz language… But there’s one question that gets to the heart of the matter for any soloist… Can you come up with interesting musical ideas over a single chord? Without the aid …
By Eric
As musicians, we often treat the songs of the jazz repertoire in the same predictable way. We learn the chords, memorize the notes of the melody, and then we skip ahead to the important stuff – Improvising our own solos over the tune… But is this really all that jazz standards are good for?? For …
By Forrest
The Blues is an essential form to master for every jazz musician, but just like most things in jazz, there are dozens of variations to explore. One of the most exciting variations and one that’s exceptionally fun to play over for improvisers of all levels, centralizes the harmony around minor chords rather than dominant chords. …
By Forrest
Have you ever tried to play over a so-called easy tune, only to find that it’s not actually that easy? All Blues, one of the most incredible tracks from the legendary Miles Davis album Kind of Blue, is commonly referred to as an easy tune throughout jazz education, yet this seemingly simple composition contains more …
By Eric
One of the most frustrating things about learning to improvise is the expectation that you can simply jump in and start creating a great solo right away… The belief that you can learn a single scale and sound good over Major chords. Or that you can study a few theory rules and suddenly improvise effortlessly …
By Eric
There are certain things that you need to do if you want to improve your musical skills…Setting aside time each day to practice. Listening to important recordings. Seeking out teachers to guide you along the way. The same is true if you want to improve your jazz improvisation skills. You need to spend time listening, transcribing solos, building …
By Forrest
It’s late. I’m exhausted. Been out all night at the jazz clubs and I just want to get home. I hop in the first taxi I see and get on my way. I’m listening to the radio and I hear something that sounds familiar. Trane? I know it’s him. His sound is unmistakable. But what …
By Forrest
It’s the subtleties of articulation that make melodies come alive. But, being so subtle, articulation is one of those concepts that’s difficult to grasp, or for that matter, even teach. And it’s personal. Nearly every player has their own distinct method of articulating, which yields a different result. With all this ambiguity, how can we …
By Eric
What comes to mind when you hear the word diminished? A chord? A scale? Wait, is it whole-steps and half-steps…or the other way around? If you’re like most players, the diminished sound often creates more questions than answers. But it’s a sound that the greatest players – from John Coltrane to Michael Brecker and beyond …
By Eric
Most improvisers cringe when they hear the words Giant Steps. Their hearts start pounding and they frantically try to remember the patterns they’ve worked out over the chord progression. If you’ve ever tried to play over this tune, I’m sure you know the feeling… Chords flying by at a breakneck speed, awkward changes, and fingers …
By Forrest
John Coltrane is probably best known for Countdown and Giant Steps, or his earth-shattering intensity on A Love Supreme. But often overlooked is the depth and beauty of his phrasing and lyricism… When I first heard the album Kind of Blue, I was blown away. And I still am to this day. There is so …