July 22nd, 2015

3 Simple Steps to a Productive Practice Routine

Written by Eric

3 steps to productive practice

Time in the practice room doesn’t equal improvement.

Hey, wait a second…

That’s right, you read that correctly.

It’s time spent practicing the right things that leads to improvement.

And this isn’t always the case with most players’ routines, especially when it comes to jazz improvisation…

There’s a well-loved myth out there that if you practice, practice, practice you’re going to reach your goals as a musician. You’ll perform at Carnegie Hall and gain the praise of the musicians around you.

All because you put yourself in a practice room with your instrument.

But is this accurate?

The painful truth is that there are many musicians out there practicing like maniacs, spending multiple hours of the day locked in a practice room…

And who nonetheless are still struggling to achieve their basic musical goals.

Don’t let this be you. Here are 3 simple steps to improving the productivity of your practice routine starting today:

Step 1: Avoid bad practice

You know the feeling…

You’re in the practice room and nothing seems to be working.

You can’t get your sound locked in, you keep flubbing the same fingering in that line, and you don’t know what to play over that chord.

But you’re determined to keep plowing ahead, no matter what.

One more time through that etude, one more push for those high notes, and another run through that tricky chord progression.

You’ve got to finish and you’re on the verge of frustration…

Sound familiar?

This is where bad practice begins. … Read More

July 6th, 2015

The 5 Skills You Won’t Learn in School, Skill Five: Ear Training for Jazz Improvisation

Written by Eric

Ear Training for Jazz Improvisation

What exactly is ear training?

You’ve heard musicians talk about it. Your teachers have recommended it. And if you’re a regular to Jazzadvice you’ve seen it pop up in more than a few posts…

But I’m guessing the thing that’s made the biggest impression on you was being in the presence of a musician with truly amazing ears.

That gifted player that can pick out the melody to any tune in a matter of seconds. That can simply grab their instrument and solo in any key without a second thought. That can improvise over an unfamiliar chord progression in the blink of an eye.

Somehow these players have trained their ears to become finely tuned sound processing machines.

But what does the term “ear training” mean for the rest of us and how exactly are you going get your ears to that level?

Is it a class that you take?

Is it learning that an interval like the perfect 4th sound like “Here Comes the Bride?”

Or is it something more…

The truth about ear training

Ear Training and Jazz Improvisation

If you look at how most schools approach the subject of ear training you’ll find the same few topics:

Interval recognition, sight singing, rhythmic dictation, solfege…

All good information to know and useful for the musician that is going to be reading or even sight reading music.

But is this practical for an improviser?

Is this enough training for someone that wants to get onstage and perform music on the spot? To create solos … Read More

June 11th, 2015

5 Skills You Won’t Learn in School, Skill Four: How to Speak the Jazz Language

Written by Eric

How to Speak the Jazz Language

Imagine that you’ve just stepped off a plane in a foreign country…

You grab your suitcase and step onto the soil for the first time and suddenly you’re filled with a sense of excitement and anticipation.

What new sights, new sounds, unusual food, and interesting people await you in this strange new place?

Your mind races with possibilities and you can barely wait to get out there and start exploring.

But after a few days you begin to notice something odd…

At each stop on your journey everyday conversation seems to elude you.

The sound of laughter fills the air from jokes that you don’t understand, menus at restaurants don’t make any sense, and each interaction with the locals becomes a confusing struggle.

Desperately you hold on to the few phrases you’ve hastily learned from your guidebook, but at the end of the day you finally have to admit it – without speaking the language, you’re all alone in a bubble.

You can’t connect with other people, you’re isolated, and you’re frustrated.

Sound familiar?

Frustrated and confused…

This is exactly how most musicians feel the moment they try to improvise a solo.

They get put on the spot by their teachers, they find themselves with a solo in big band, and they wander into a jam sessions.

Just like stranded tourists they feel lost, unable to speak the language, and frustrated that they can’t communicate their ideas with the outside world.

You’ve probably felt this way yourself trying to navigate … Read More

May 4th, 2015

5 Skills You Won’t Learn in School, Skill Three: The Secret to Great Time

Written by Eric

The Secret To Great Time

Ever feel like something is missing from your solos?

You spend hours learning tunes and transcribing solos from your favorite recordings, you’ve memorized the chord progressions and diligently practiced the tricky fingerings, but when you listen back something is off.

And it’s frustrating because you can’t quite place your finger on the problem…

You’re playing the same songs, the same chords, and even the same notes, yet that player on the recording sounds shockingly better.

Each musical phrase is confident, each note makes you tap your foot, however your own playing sounds flat and unexciting.

The problem isn’t your grasp of music theory, it isn’t your note choices, and it’s not your sound. So what is it?

The culprit is your time.

One of the most ignored aspects of musicianship, especially for struggling improvisers, is what we call “time” – swinging, rhythmic feel, and groove. In fact, the core of modern jazz education is centered around an intellectual approach to harmony – scales, chords, and harmonic progressions…

Thelonious Monk quote

All of those classes and lessons essentially teach you how to count. You play four beats in a measure, you learn about dividing each bar into quarter notes, eighth notes, triplets, 16th’s…

But improvising isn’t just about playing the right notes at the right time, it’s about sharing a message, telling a story through music. To do this you need to develop the rhythmic element of your playing.

However, time often gets overlooked because unlike harmony, it’s hard to place into words or … Read More

April 20th, 2015

5 Skills You Won’t Learn in School, Skill Two: How to Turn Music Theory into Music

Written by Eric

Turn Music Theory Into Music

Have you ever thrown your hands up in frustration trying to understand music theory?

Have you ever found yourself lost and panicking in a solo as you search for the right scale or chord to play?

Many frustrated musicians run into this wall every time they try to take a solo.

From the outside improvising looks easy. You just pick up an instrument, call a tune, and play the music you’re hearing in your head…

However, the moment you try to create a solo yourself or improvise in a difficult key you quickly realize it’s a little more complicated.

So you look in text books, you take lessons, and you sign up for classes. Before you know it your head is overflowing with music theory information, but for some annoying reason it’s not coming out in your solos.

So let’s stop and think about all of this in more practical terms…

How exactly do you turn that music theory in your mind into music on your instrument?

Learning practical music theory

There are two sides to music theory.

On one side is the music theory you learn about in books and school. The construction and building blocks of music, the theory behind scales, chords and tunes, and the flood of musical terminology.

And then there’s the theory that you actually use when you’re performing. The tools you have for navigating chords and progressions, the artistic tools you have for sharing a musical message with the listener.

Music theory information is

Read More
March 20th, 2015

5 Skills You Won’t Learn in School, Skill One: How to Connect Your Ear to Your Instrument

Written by Eric

Skill one: how to connect your ear to your instrument

You’re a trumpet player.

You play the piano or the guitar. Maybe you’ve taken up the saxophone.

Out of a dozen different instruments, this is the one that you’ve chosen to amplify your musical voice.

You identify with it, you wield it with pride, and you strive to follow in the tradition of the fine players that paved the way before you.

You’ve collected etudes, method books, and instructional videos. You have hundreds of recordings by the masters of your instrument and each week you take lessons and faithfully practice.

Before you know it this instrument becomes the center of your musical and creative output. Your life as a musician starts when you pick it up and stops when you put it down.

But what would happen if you took away that instrument? What if I stormed into your practice room and snatched that instrument out of your hand?

Suddenly you’re standing there all alone in an empty room – are you still a musician?

Think about it…

Right now, as you’re reading this, think of a melody in your mind. Can you create these sounds without your instrument?

This probably sounds ridiculous, why would you do that? Well, I used to think the same thing…

Not so long ago I was a college music major intent on becoming a great improviser. Through school I had learned all of my scales, I was on top of my music theory, and I dedicated the majority of each day to practicing technique.… Read More

March 13th, 2015

The 5 Key Skills You Won’t Learn in School: A Five Part Series

Written by Eric

five skills you won't learn in music school

School is great.

…but it won’t teach you everything.

Private lessons are awesome and downright necessary on your journey to becoming a better musician…yet that hour a week isn’t going to teach you every musical tidbit that you need to know.

You see a curious thing happens when you take music outside of the classroom, when you wander outside the safety of your private lessons and venture into the real world.

The moment you create music with other people and perform for an audience something subtle changes. Those notes on the page, those scales you memorized, and those fancy words that you use to describe them are suddenly transformed into something living.

No more sheet music and no more theory. What matters now is what you create with your instrument and the musicians around you – and this can be a wake up call.

But you already know this…

This time it’s for real

You’ve started a band with your friends.

You’ve sat in with some local musicians and you’ve called a tune at a jam session. You’re performing for a musical, for a church service or a wedding. You’ve found yourself on the spot and you have to play a solo without any music…

All eyes are on you, so you better not miss any notes!

In a matter of seconds you realize that performing music requires more than memorized facts. Suddenly you need to use the information you’ve learned in a creative and musical way and you don’t … Read More

February 12th, 2015

Use the Power of Visualization to Improve Faster than Ever. We’ll show you how in our New eBook…

Written by Eric

Harness the Power of Visualization

Picture this…

You’re backstage before a big performance waiting for your turn to step into the spotlight. A few steps away from the curtain you can hear the murmur of the audience and your pulse starts to race.

You take a deep breath and confidently walk onstage. The heat of the lights hits you and you can feel the familiar weight of your instrument resting in your hand. As the first tune is being counted off you can see the first chord in your mind, you can hear it clearly in your head, and you know exactly what you’re going to play…

That mental picture sounds pretty good, right?

However, what you might not realize is that you’ve just practiced one of the most beneficial exercises in improving your performance – it’s called visualization.

Let me explain…

See it to believe it

Visualization is not some ancient mystical process or new age mumbo jumbo, it’s a very real technique that you can use everyday to improve your skills.

Simply put, visualization is the process of forming mental images. These images could consist of information that you are trying to memorize or a task that you are attempting to perform, it doesn’t matter. What does is that you mentally rehearse every aspect of that physical motion – seeing it, hearing it, and feeling it.

This is the same technique used by the top professionals in every field, from public speakers to professional athletes like Tiger Woods and Michael Jordan. And … Read More

January 15th, 2015

The Secret Behind Every Solo that You Can’t Afford to Miss

Written by Eric

There’s a secret hidden in every great solo.

You’ll find it in those old records of Louis Armstrong and those videos of Bird and Diz that you watch on YouTube. You can even hear it in the players of today like Terence Blanchard, Kurt Rosenwinkel, Tom Harrell and dozens of others.

It’s a secret that not many people even think about, let alone talk about. But it’s there if you really look for it.

Still guessing? Well I’ll tell you right now that it’s not a fancy scale, not a music theory trick, and it’s not the lick.

You might even think it absurd that there is anything more to a solo that the actual notes. I know I did until I started digging into the solos of my favorite improvisers.

But keep reading because this secret will change the way you approach improvisation…

Shhhhh!

The secret is this:

Behind one line of a great solo lies the weight of thousands of hours of practice. Years of listening. Dozens of transcribed solos. Decades of private instruction. Tough lessons picked up in jam sessions and revelations passed on by mentors.

…all in just a dozen notes.

YouTube Preview Image

Think about it: all of the practice on technique, all of that work on sound, every gig and every hour of study led to that solo you just listened to. It’s all there hidden in those notes.

These notes could fly right by you if you’re not paying attention. You might hear it and … Read More

January 6th, 2015

7 Crucial Lessons from History’s Greatest Improvisers

Written by Eric

I’m guessing you’ve heard of Miles Davis.

And you probably know Louis Armstrong and have listened to Charlie Parker and John Coltrane.

But have you ever stopped and wondered why you, sitting here in 2015, know these names?

Some of these masters have been gone for 40 years and some of these records are nearly 80 years old. So why are we still listening?

And why does an album like Kind of Blue become the best selling jazz album of all time?

There must be a mystery ingredient that makes some players or albums stand the test of time and become household names, while others are lost to obscurity, failing to connect with a wider audience.

While these musical masters couldn’t predict the future, they did have something in common. In fact they all shared some very specific qualities that allowed their music to travel the world and endure for years.

What’s more, these qualities are true of great people in various fields of work and these principles can be applied to more than just music.

So take note and pay attention to the greatest improvisers, if you’d like to share your music with more people and you’d like to reach a new level of artistry, learn these 7 lessons well.

1) Connect with your audience in a meaningful way

We love fireworks.

We’re drawn to technical flash, larger-than-life stage presence and shocking special effects. The high notes and fast tempos make us squeal with delight and the lure of … Read More

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