Inspiration for improvisers
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Composition, Jazz Standards, Transcribing
Tune Up is one of those classic up-tempo jazz standards that every player should work on. Composed by Eddie Vinson, It became super well known when legendary trumpeter player Miles Davis recorded it on his 1956 album Blue Haze. And over the years, it’s turned into a popular jam session tune that can be pretty …
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Jazz Musicians, Jazz Standards, Rhythm, Transcribing
Recorda Me is one of Joe Henderson’s most famous compositions. Recorded on his epic album Page One from 1963, he actually composed the popular jazz standard when he was only 15. And over the years, it’s become a mainstay in jazz education and jam sessions alike, making it a need-to-know tune to add to your …
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Composition, Ear Training, Jazz Standards
Bebop “heads,” what jazz players sometimes call the melody of a tune, tend to be some of the trickiest and most technically demanding strings of notes you’re likely to encounter. Much busier than classic jazz standards, these intricate melodies are generally more difficult to learn, understand, and commit to memory. So what do you do …
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Blues, Jazz Advice and Tips, Jazz Standards, Tunes
As musicians, we often treat the songs of the jazz repertoire in the same predictable way. We learn the chords, memorize the notes of the melody, and then we skip ahead to the important stuff – Improvising our own solos over the tune… But is this really all that jazz standards are good for?? For …
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Jazz Advice and Tips, Jazz Musicians, Jazz Standards, Playing Techniques
Take The A Train is one of the most classic jazz standards you’ll ever come across. Composed by Billy Strayhorn, the tune quickly became the featured tune of The Duke Ellington Orchestra after his son Mercer Ellington found a draft of the tune in the trash… Clearly, Strayhorn was his own worst critic, so it’s …
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Jazz Musicians, Jazz Standards, Playing Techniques, Premium Only
For a long time, patterns in jazz have been popular as a way for jazz improvisers to expand their improvisational toolkit. You see, patterns have a natural order to them that make them perfect for many jazz different improvisation applications. But every great musician uses patterns in their own unique way… Today, we’ll be looking …
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Jazz Language, Jazz Musicians, Jazz Standards
The jazz standard Blue Bossa is often referred to as a beginner jazz tune, but as you quickly find out as you start your journey into jazz, even these so-called “beginner” tunes are not easy to sound great on. Playing beautiful lines through the changes that connect and flow from one chord to the next …
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Jazz Musicians, Jazz Standards, Premium Only, Tunes
All the Things You Are is one of the first tunes musicians learn when it comes to jazz improvisation. But unlike many players think, it’s not exactly an “easy tune” or something that only beginners should play… While each section poses unique challenges, the Final ‘A’ section contains essential musical concepts that every serious improviser must …
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Jazz Musicians, Jazz Standards, Premium Only, Tunes
All the Things You Are is one of the first tunes musicians learn when it comes to jazz improvisation. But unlike many players think, it’s not exactly an “easy tune” or something that only beginners should play… This is especially true of the Bridge of this popular jazz standard. Hidden within these eight bars are …
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Composition, Jazz Musicians, Jazz Standards, Rhythm
Phrasing is one of those things that everyone talks about, but most cannot clearly define. Like the concept of “swing,” it’s something you can feel and hear, but as soon as you start trying to use words to describe it, things get pretty ambiguous. First, let’s talk about musical phrases… In music, a phrase is …
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Jazz Musicians, Jazz Standards, Transcribing
With its unique opening chord changes, the jazz standard I Remember You poses quite the challenge to most jazz improvisers, which is surprising because the chords themselves don’t seem that difficult. But it’s not the individual chords that create the problem…It’s the way one chord moves to the next chord… We’re simply not used to …
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Jazz Musicians, Jazz Standards, Rhythm
Of all the time signatures that we encounter in jazz or any other music, the most common by far is 4/4, meaning it has 4 beats per measure and a quarter note is equal to each beat. In fact, 4/4 is so common that it’s actually called “common time” and has its own symbol in …