The Sonny Rollins II-V Workbook: 8 Exercises from Pent-Up House [PDF]

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    Sonny Rollins is one of those rare musical masters that seems to have it all figured out when it comes to improvisation. And if you're a musician that's been searching for the missing answers to...Read More

    Sonny Rollins is one of those rare musical masters that seems to have it all figured out when it comes to improvisation. And if you're a musician that's been searching...Read More

    The Clifford Brown Workbook: 11 Exercises on Joy Spring [PDF]

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    Clifford Brown is one of those rare musicians that always seems to play the perfect solo. Every phrase is expertly crafted, every note is musical, and each idea is delivered with impeccable sound ... If...Read More

    Clifford Brown is one of those rare musicians that always seems to play the perfect solo. Every phrase is expertly crafted, every note is musical, and each idea is delivered...Read More

    Master All The Things You Are Part III: The Walkdown

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    All the Things You Are is one of the first tunes musicians learn when it comes to jazz improvisation. But unlike many players think, it’s not exactly an “easy tune” or something that only beginners should...Read More

    All the Things You Are is one of the first tunes musicians learn when it comes to jazz improvisation. But unlike many players think, it’s not exactly an “easy tune” or...Read More

    5 Roy Hargrove Phrases to Master Yardbird Suite

    One thing that often gets lost in the music theory and technical exercises of our daily practice is the fact that improvisation at it's core, is musical storytelling... Think about it, any tune that you...Read More

    One thing that often gets lost in the music theory and technical exercises of our daily practice is the fact that improvisation at it's core, is musical storytelling... Think about...Read More

    The Sonny Stitt Playbook – His 2 Exercises to Master Minor

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    What if you had Sonny Stitt’s practice journal in your hands right now? All his genius lines and exercises written out. Everything, literally everything, complete with diagrams and descriptions of what he practiced…wouldn’t that be...Read More

    What if you had Sonny Stitt’s practice journal in your hands right now? All his genius lines and exercises written out. Everything, literally everything, complete with diagrams and descriptions of...Read More

    Master All The Things You Are Part II: The Bridge

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    All the Things You Are is one of the first tunes musicians learn when it comes to jazz improvisation. But unlike many players think, it’s not exactly an “easy tune” or something that only beginners...Read More

    All the Things You Are is one of the first tunes musicians learn when it comes to jazz improvisation. But unlike many players think, it’s not exactly an “easy tune”...Read More

    The Forgotten Side of Jazz Phrasing: A Lesson With Miles Davis

    Phrasing is one of those things that everyone talks about, but most cannot clearly define. Like the concept of “swing,” it’s something you can feel and hear, but as soon as you start trying to...Read More

    Phrasing is one of those things that everyone talks about, but most cannot clearly define. Like the concept of “swing,” it’s something you can feel and hear, but as soon...Read More

    Charlie Parker’s Brilliant Licks and Tricks on I Remember You

    With its unique opening chord changes, the jazz standard I Remember You poses quite the challenge to most jazz improvisers, which is surprising because the chords themselves don’t seem that difficult. But it’s not the...Read More

    With its unique opening chord changes, the jazz standard I Remember You poses quite the challenge to most jazz improvisers, which is surprising because the chords themselves don’t seem that...Read More

    How to Play in 3/4 Time: Hank Mobley on Someday My Prince Will Come

    Of all the time signatures that we encounter in jazz or any other music, the most common by far is 4/4, meaning it has 4 beats per measure and a quarter note is equal to...Read More

    Of all the time signatures that we encounter in jazz or any other music, the most common by far is 4/4, meaning it has 4 beats per measure and a...Read More

    Master The Minor Blues: A Deep Dive into John Coltrane’s Mr. P.C.

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    The Blues is an essential form to master for every jazz musician, but just like most things in jazz, there are dozens of variations to explore. One of the most exciting variations and one that’s...Read More

    The Blues is an essential form to master for every jazz musician, but just like most things in jazz, there are dozens of variations to explore. One of the most...Read More

    Miles Davis: The Power of the Triad

    Perhaps the most impressive thing about the musical masters that we look up to isn’t their ability to create incredibly fast and complex lines or even their vast library of harmonic knowledge… It lies in...Read More

    Perhaps the most impressive thing about the musical masters that we look up to isn’t their ability to create incredibly fast and complex lines or even their vast library of...Read More

    Essential Progressions – 4 Sonny Rollins Tools to Tackle The V7 of V7

    I can still remember the day I discovered how amazing the ii V7 chord progression could be. After struggling for years, It was as if a locked door finally opened and I was granted access...Read More

    I can still remember the day I discovered how amazing the ii V7 chord progression could be. After struggling for years, It was as if a locked door finally opened...Read More

    The Secrets Behind Herbie Hancock’s One Finger Snap Solo

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    Herbie Hancock is one of the most renowned and creative musicians in the world - and for good reason! His career has bridged the gap from the roots of this music, performing with masters like...Read More

    Herbie Hancock is one of the most renowned and creative musicians in the world - and for good reason! His career has bridged the gap from the roots of this...Read More

    5 Tips to Use Sequences like Paul Desmond

    Paul Desmond plays the alto saxophone unlike any other…sweet, melodic, and precise, always leading the listener through a clear story from one musical idea to the next - It’s as if every single idea he...Read More

    Paul Desmond plays the alto saxophone unlike any other…sweet, melodic, and precise, always leading the listener through a clear story from one musical idea to the next - It’s as...Read More

    A Lesson With Chet Baker: But Not For Me

    What if there were a jazz musician that didn’t rely on scales, licks, or patterns, but instead sought only to play what they’d sing? What would this musician sound like? What kind of playing techniques...Read More

    What if there were a jazz musician that didn’t rely on scales, licks, or patterns, but instead sought only to play what they’d sing? What would this musician sound like?...Read More

    5 Must-Know Bebop Tactics From Sonny Stitt

    Bebop language is at the very heart of jazz. From the classic beboppers to the crazy out players, every great jazz improviser has spent time absorbing, imitating, and developing timeless bebop language. There’s just something about...Read More

    Bebop language is at the very heart of jazz. From the classic beboppers to the crazy out players, every great jazz improviser has spent time absorbing, imitating, and developing timeless bebop...Read More