A magical thing happens when you listen to a recording of your favorite player and begin to play along with the record. It’s almost as if an unconscious transformation takes place, an instant instruction through aural osmosis. Simply by sitting by the speakers with your instrument and taking in those sound waves, you can instantly imitate that player’s unique musical style.
Ironically though, many of us miss this connection because we have tunnel vision on the music theory. Somewhere along the way, we’ve picked up this mentality that you learn the notes in one place and get the style from another.
Chances are you’ve even heard someone describe musical style with words while teaching improvisation: “bend that note, lay back on the time there, ghost those notes, play with a brighter sound, tongue those notes shorter, put some edge on it!”
These phrases give you a general target to aim at, but when compared with the actual sound, these verbal descriptions continually fall short of the intended target. To truly grasp style, it must be experienced and understood on a deep emotional level. This is where the benefits of transcription and serious listening come into play.
The majority of improvisers have a set definition and goal when it comes to transcribing, which usually begins and ends with figuring out the specific notes of line or solo. But think about it, once you’ve learned those notes, do you sound like that player from the record when you’re by yourself? Is that … Read More