It’s a question that we get asked all the time on gigs, at jam sessions, and even in our weekly lessons.
As you probably know, it’s not a lot of fun when you are put on the spot and don’t know a tune. In fact, it seems like a lot of the motivation for our practice comes from our efforts to avoid this very experience of getting caught off guard or looking like an unprepared moron.
We try to memorize as many tunes as we can, we make longs lists of standards to learn, we listen to and transcribe various recordings of the greats playing, and in our free time we try to review these melodies and progressions in our heads.
However, even after all the lists, listening sessions, and memorization practice, have you done enough to “know” that tune? Take a second and honestly ask yourself: “How well do I really know these tunes?”
Do you know them well enough to shape interesting original solos? Have you spent enough time in the practice room to be free in performance or do the form and progression feel like shackles weighing you down? Are you doing just enough to fumble through yet another melody and chord progression?
I hear musicians all the time talk about all the tunes they know, but when it comes down to it, the definition of “knowing” a tune ends up being pretty wide. For some, knowing a tune means hearing it once and faking their way … Read More