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    Dealing With Non-standard Progressions

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    Recently we received a question about non-standard progressions, specifically the type of progressions you see in Wayne Shorter and Joe Henderson tunes... These types of tunes are notoriously difficult, as they don't seem to use...Read More

    Recently we received a question about non-standard progressions, specifically the type of progressions you see in Wayne Shorter and Joe Henderson tunes... These types of tunes are notoriously difficult, as...Read More

    Slash Chords Made Simple

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    Areader recently sent in this question: "I was wondering if you could explain to me how to interpret slash chords for soloing. It seems like different sources have conflicting information. Also, what would I do...Read More

    Areader recently sent in this question: "I was wondering if you could explain to me how to interpret slash chords for soloing. It seems like different sources have conflicting information....Read More

    Finding a Fresh Approach to Playing the Same Old Tunes

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    Repetition. It's one part of learning to improvise that's par for the course. We practice scales over and over again until the technique is securely in our fingers, we spend hours repeatedly working out ii-V7...Read More

    Repetition. It's one part of learning to improvise that's par for the course. We practice scales over and over again until the technique is securely in our fingers, we spend...Read More

    Two-Five Substitutions in a Flash

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    Everybody wants to play "outside" the chord changes. They think there is something mysterious about getting outside the changes. In my experience, the phenomenal players that I've studied with along with the legendary players I've...Read More

    Everybody wants to play "outside" the chord changes. They think there is something mysterious about getting outside the changes. In my experience, the phenomenal players that I've studied with along...Read More

    Basic Bebop Reharmonization

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    If you took a quick survey and asked a few people to describe the components of bebop, you might come up with some answers like: "fast tempos, lots of notes, Charlie Parker, Dizzy Gillespie, b9's,...Read More

    If you took a quick survey and asked a few people to describe the components of bebop, you might come up with some answers like: "fast tempos, lots of notes,...Read More

    How to Play the Blues In All Keys

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    Arecent question from a reader inquired about the blues in all keys: "I'm a sax player and have been working through the blues in all keys for the past few months, and was wondering if...Read More

    Arecent question from a reader inquired about the blues in all keys: "I'm a sax player and have been working through the blues in all keys for the past few...Read More

    How to Use ii Vs to Activate Static Progressions

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    The infamous ii V is everywhere in jazz chord progressions. In fact, the ii V defines a sense of tension and release that prevails throughout all western music... An essential key to understanding how to...Read More

    The infamous ii V is everywhere in jazz chord progressions. In fact, the ii V defines a sense of tension and release that prevails throughout all western music... An essential...Read More

    Using Triads in Your Solos

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    After playing a tune for a while, it can seem like you are playing the same ideas or licks over the changes every time. For example, you see a D minor chord and think "okay...Read More

    After playing a tune for a while, it can seem like you are playing the same ideas or licks over the changes every time. For example, you see a D...Read More