Inspiration for improvisers
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Inspiration, Jazz Advice and Tips, Jazz Education, Perspectives
If you’re reading this, I’m guessing that you want to be the best. You want to walk into a room with your instrument and completely smash the competition. To tackle every chord progression, every tune, and every challenging technical passage with effortless mastery. To have every other player’s jaw drop as they look on in …
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A reader writes: “I play trumpet and improvise fairly well, but mainly play by ear. How can I learn the chord tones and use them effectively to construct my solos? For example, it takes a long time for me to name of the 6th of a chord. I’ve tried several books to find a good …
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They say that time is money, but in jazz improvisation, it’s even more than that! Time is what’s passing by while you’re desperately trying to recall the next chord change in a tune, the notes to the melody, or what to play at any given moment of your solo… Everything in jazz improvisation happens in …
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Jazz Advice and Tips, Jazz Standards
Some tunes seem to make absolutely no sense, like the chords changes are some random crazy collection of complex sounds…But with a little know-how, using the same tactics we showed you in our recent lesson on learning tunes quickly, even the most difficult tunes can be deciphered in just a few minutes. Today’s lesson comes …
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Jazz Advice and Tips, Jazz Education, Perspectives
School is great…but it won’t teach you everything. Private lessons are awesome and downright necessary on your journey to becoming a better musician…yet that hour a week isn’t going to teach you every musical tidbit that you need to know. You see a curious thing happens when you take music outside of the classroom, when …
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Ear Training, Jazz Advice and Tips, Jazz Standards, Premium Only
Everybody talks about learning tunes. I mean everybody. It’s the one common thread that pops up at jam sessions, on gigs, in music schools and in conversations with great players. Hey, what tune do you want to play next? Do you know this tune? What tunes are you working on? I really need to learn …
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This is a box. This is your mind in a box. Many people’s minds never leave the box. Why? Thinking creatively is something we all do naturally. It’s our instinctive and ordinary way of being. To be creative is nothing less than being human. You can’t help but be creative. But back to the box. …
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Ear Training, Jazz Advice and Tips, Jazz Education, Perspectives
You’re a trumpet player. You play the piano or the guitar. Maybe you’ve taken up the saxophone. Out of a dozen different instruments, this is the one that you’ve chosen to amplify your musical voice. You identify with it, you wield it with pride, and you strive to follow in the tradition of the fine …
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For most people, half diminished chords remain a mystery. Also known as minor 7b5 chords, they seem to fall by the wayside, never getting as much attention as major, dominant, or minor chords… The result: nearly everyone sucks at them Think about it. Are you as comfortable on Bb half diminished as Bb major? if …
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Inspiration, Jazz Advice and Tips, Perspectives
So you want to change the way you play? To improve your sound and your solos. To become more effortless in your technique. To finally get rid of those bad habits and creative roadblocks in your playing… Every aspiring musician can relate to these feelings and frustrations. But what does the process of getting better …
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Many times we forget about the musical skills that we should be developing until it’s way too late. Right in the middle of a gig you’re put on the spot and in a moment of panic, you realize “$@!*, I should’ve been getting this together in the practice room!” The bottom line is that when …
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Jazz Advice and Tips, Playing Techniques
A significant part of practicing jazz improvisation consists of working on scales, chords, and patterns. Practicing them in a thorough manner will enable you to obtain the most benefit in the shortest amount of time. Unfortunately, we often get caught up in practicing this material in the same incomplete way everyday. For instance, we may …