Dealing With Non-standard Progressions
Recently we received a question about non-standard progressions, specifically the type of progressions you see in Wayne Shorter and Joe Henderson tunes… These types of tunes are notoriously difficult, as they don’t seem to use the same predictable chord progressions that other jazz tunes do. A reader asks: When we’re learning, we go through a ...
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Jazz Is A Language….Or Is It?
The idea that jazz is a language can be quite confusing and ambiguous. We often make this statement, as do many teachers and professionals, but it takes time to understand what this phrase actually means and what it doesn’t mean… We’re used to a language being something like English; a body of words, phrases, grammar ...
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Getting Started With Transcription
We get questions all the time on how to go about transcribing. Often, the people that write in say that they tried transcribing, but it just didn’t work for them, or it was just too hard. Yes, transcribing is not easy, but the problem does not lie in the inherent difficulty of this activity, but ...
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10 Ways to Make a Line Your Own
So you’ve transcribed some lines and you’re learning them in all keys. You’ve even started to apply them to tunes you’re working on, but after several weeks, the line you transcribed which started out as sounding magical to you, now sounds boring. And on top of that, you’re playing that same line everywhere. Don’t fret. ...
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Two Five Progressions Made Easy
The ii V progression makes up the vast majority of chord changes within the jazz standard repertoire. Much of our success or failure as improvisors comes from being able to navigate this deceptively simple progression. Learning how to play over ii Vs is actually much easier than you think. The mistake most people make is ...
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How Transcribing One Solo Can Entirely Change Your Approach To Improvising
On this site we’ve talked about transcribing numerous times. From the reasons you should be transcribing solos to the best method of transcription…even to the different definitions of transcription for jazz musicians. Knowing why you’re transcribing and how to do it are vital to improving as an improviser. The most important aspect of the transcription ...
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The Difference Between Jazz Licks and Language
Jazz musicians and educators constantly discuss the topic of jazz licks. It’s always up for debate…Should you learn them? Is it okay to play them over and over in your jazz solos? Does it matter where you get these licks from? If you’re discussing licks, you’ve already missed the boat. You don’t want to know ...
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How to Acquire Useful Language: The Building Blocks of Your Solo
Learning how to improvise can be overwhelming. There’s an enormous gap in knowledge to overcome as soon as you decide that you want to play jazz. Before you even improvise a single note, you have to contend with over 100 years of musical history, from Louis Armstrong all the way up to the innovators of ...
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The Importance of Language
I’m always trying to learn new bits of language.” – Michael Brecker. There are a lot of things to practice. What is truly vital to practice if you want to get better at improvising? Plain and simple: Language. Spending time with the actual language of jazz, the recordings of the greats, should be your number ...
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