Inspiration for improvisers
Acquiring jazz language for every chord and progression in jazz is the missing link between your fingers and your ear. Use these lessons to ramp up your jazz language and if you’re serious about getting language quickly, our course Melodic Power is for you.
By Eric
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What’s the most important chord progression that you need to know as a musician? Well that’s a good question…In the past we’ve explored some common chord relationships that you’ll encounter as an improviser, but there is one chord relationship that sticks out above the rest. Any guesses? It’s the relationship of the five chord to …
By Eric
Chords, Composition, How to Practice Jazz, Jazz Advice and Tips, Jazz Education, Jazz Language, Myths, Perspectives, Playing Techniques, Scales, Transcribing
Composition is selective improvisation – Igor Stravinsky. In 15 seconds the difference between composition and improvisation is that in composition you have all the time you want to decide what to say in 15 seconds, while in improvisation you have 15 seconds – Steve Lacy. Learning to improvise is a big undertaking. Not only must …
By Eric
Chords, Ear Training, Jazz Advice and Tips, Jazz Education, Jazz Language, Perspectives, Playing Techniques
From the moment we are born, the world tends to have a container already built for us to fit inside: A social security number, a gender, a race, a profession, an I.Q. I ponder if we are more defined by the container we are in, than what we are inside. Would we recognize ourselves if …
By Eric
How do I connect chords when I’m soloing? You’re asking yourself this question in the practice room and you’re frustrated when there doesn’t seem to be an easy answer. But you’re not alone. This is a question that every improviser struggles with as they create solos over tunes. Improvising over one chord is simple enough, …
By Forrest
Learning jazz language is vital to your success as an improvisor. Without it you’re truly lost. You may know a scale, a chord, a concept…but without the fundamental ideas of what to do with these tools, you’ll aimlessly wander through the harmony. These fundamental ideas are gleaned from learning and studying language. A reader recently …
By Eric
Recently I’ve been studying and transcribing a lot of Miles from around 1956-1957. Albums like Cookin’, Relaxin’, and Workin’. More than the notes or the harmonic devices in his solos, the one thing that sticks out about Miles is his sense of phrasing. This is what sets him apart and why so many listeners connect …
By Eric
Play it slow. Feel every beat. Subdvide. Hear every note. Concentrate on every single detail. There are dozens of different ways to describe the process of slow practice, yet it seems that the majority of successful musicians in any genre are saying “practice slowly!” Every teacher that I’ve ever had, from classical players to lead …
By Eric
Jazz is smart people music! I first heard these words from the great pianist Harold Mabern. Walking through the practice rooms at school one day, as was usually the case, a group of eager students was huddled around him as he told a story. An impromptu musical lesson that didn’t involve scales or chords, but …
By Forrest
So you want to learn how to improvise jazz and that’s great, but where on Earth do you start jazz improvisation?!?! There’s so much information out there that figuring out where to begin playing jazz is a complete nightmare. But I’ll tell you this right now…If I could start jazz improvisation again today, I’d do …
By Forrest
Just learn a few ii V licks in all keys, learn how to use them, and that’s jazz, right? Unfortunately not. ii Vs make up the bulk of chord progressions found in all western music from classical to pop music, hence, ii Vs are necessary to master. However, a common result from working on ii …
By Forrest
When we practice jazz improvisation, we zoom in on one area of study so much that we often lose sight of the whole. How do we practice in this truly focused way, while simultaneously train ourselves to perform in a way that expresses all of what we know? In other words, how can we shift …
By Forrest
You’ve heard it time and time again…PLAY WHAT YOU HEAR!! But when it comes to improvising jazz, how do you actually go about playing what you’re hearing? And how do you mentally hear the beautiful jazz lines that you want to play? Playing what you hear sounds so easy in theory, but it’s much more …