Another Look at Slow Practice for Jazz Improvisation

    Play it slow. Feel every beat. Subdvide. Hear every note. Concentrate on every single detail. There are dozens of different ways to describe the process of slow practice, yet it seems that the majority of...Read More

    Play it slow. Feel every beat. Subdvide. Hear every note. Concentrate on every single detail. There are dozens of different ways to describe the process of slow practice, yet it...Read More

    Taking Advantage of Technology in Your Practice Routine

    Since the time of Art Tatum and Charlie Parker, the practice tools of the jazz musician have consisted of three basic things: a room, your instrument, and  a record player. If you wanted to get...Read More

    Since the time of Art Tatum and Charlie Parker, the practice tools of the jazz musician have consisted of three basic things: a room, your instrument, and  a record player....Read More

    10 Ways to Make a Line Your Own

    So you've transcribed some lines and you're learning them in all keys. You've even started to apply them to tunes you're working on, but after several weeks, the line you transcribed which started out as...Read More

    So you've transcribed some lines and you're learning them in all keys. You've even started to apply them to tunes you're working on, but after several weeks, the line you...Read More

    Playing Transcribed Solos Backward

    Lately I've realized that to get to specific parts of a solo that I've transcribed to memory, I'm quite dependent on the material that comes before them. In other words, I've learned the solo from...Read More

    Lately I've realized that to get to specific parts of a solo that I've transcribed to memory, I'm quite dependent on the material that comes before them. In other words,...Read More