Mulgrew Miller’s Secrets to All the Things You Are

    All The Things You Are is a timeless jazz standard...Charlie Parker, Stan Getz, Ella Fitzgerald, Sinatra...these are just some of the legends that recorded it. But with its traveling tonal centers and unfamiliar keys, this...Read More

    All The Things You Are is a timeless jazz standard...Charlie Parker, Stan Getz, Ella Fitzgerald, Sinatra...these are just some of the legends that recorded it. But with its traveling tonal...Read More

    Why The Way You’re Thinking About Music Could Be Holding You Back

    Scales, Chords, Progressions, and Tunes... These are the words we all use to define and think about music. It's how we make sense of the songs we hear, how we talk about the solos we...Read More

    Scales, Chords, Progressions, and Tunes... These are the words we all use to define and think about music. It's how we make sense of the songs we hear, how we...Read More

    Everything You Don’t Know About Minor Harmony in Jazz

    Minor harmony is everywhere in jazz. Whether you’re playing a tune in a minor key or a jazz standard that shifts to the relative minor for a section, you need a solid understanding of how...Read More

    Minor harmony is everywhere in jazz. Whether you’re playing a tune in a minor key or a jazz standard that shifts to the relative minor for a section, you need...Read More

    5 Powerful Storytelling Tactics for Your Next Jazz Solo

    Think of a jazz standard that you often play. One that you've been working on in the  practice room. Picture the chord progression in your mind and imagine yourself getting ready to play the first...Read More

    Think of a jazz standard that you often play. One that you've been working on in the  practice room. Picture the chord progression in your mind and imagine yourself getting...Read More

    Overcoming Creative Blocks as an Improviser

    Despite what everyone thinks, being creative isn't easy. You don't just suddenly find yourself with talent one day and immediately start creating great works of art. It takes years of hard work to develop artistic...Read More

    Despite what everyone thinks, being creative isn't easy. You don't just suddenly find yourself with talent one day and immediately start creating great works of art. It takes years of...Read More

    6 Reasons You Should Start Composing Today

    Ican't understand why people are frightened of new ideas. I'm frightened of the old ones - John Cage. At some point as an improviser, whether you welcome it with open arms or avoid it like...Read More

    Ican't understand why people are frightened of new ideas. I'm frightened of the old ones - John Cage. At some point as an improviser, whether you welcome it with open...Read More

    What to Think While Improvising

    A reader recently wrote us asking about what we think about while we improvise. He writes: "I'm a tenor saxophonist and still pretty new to the whole improvising scene. I was wondering what musicians "think"...Read More

    A reader recently wrote us asking about what we think about while we improvise. He writes: "I'm a tenor saxophonist and still pretty new to the whole improvising scene. I...Read More

    Mixing Jazz Techniques, Lines, And Concepts

    When we practice jazz improvisation, we zoom in on one area of study so much that we often lose sight of the whole. How do we practice in this truly focused way, while simultaneously train...Read More

    When we practice jazz improvisation, we zoom in on one area of study so much that we often lose sight of the whole. How do we practice in this truly...Read More

    Dealing With Non-standard Progressions

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    Recently we received a question about non-standard progressions, specifically the type of progressions you see in Wayne Shorter and Joe Henderson tunes... These types of tunes are notoriously difficult, as they don't seem to use...Read More

    Recently we received a question about non-standard progressions, specifically the type of progressions you see in Wayne Shorter and Joe Henderson tunes... These types of tunes are notoriously difficult, as...Read More

    Keys to the Altered Scale

    The altered scale allows access to the beautiful tensions of a dominant chord in a flash. The effective use of this scale, however, is not easy. In this article, I've assembled what I have found...Read More

    The altered scale allows access to the beautiful tensions of a dominant chord in a flash. The effective use of this scale, however, is not easy. In this article, I've...Read More

    Fast Tempos Made Easy

    Here's a recent question from a reader struggling with fast tempos: "Hi, I'm a saxophone player in Toronto. What might you recommend in terms of practice techniques to play on blistering fast tempos?" When it...Read More

    Here's a recent question from a reader struggling with fast tempos: "Hi, I'm a saxophone player in Toronto. What might you recommend in terms of practice techniques to play on...Read More

    How to Use ii Vs to Activate Static Progressions

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    The infamous ii V is everywhere in jazz chord progressions. In fact, the ii V defines a sense of tension and release that prevails throughout all western music... An essential key to understanding how to...Read More

    The infamous ii V is everywhere in jazz chord progressions. In fact, the ii V defines a sense of tension and release that prevails throughout all western music... An essential...Read More

    Navigating Altered Dominants: Strategies for the V7#9 Chord

    Areader recently asked: "I was wondering about how to play over altered dominant chords. What are some strategies for playing over Dominant 7 #9 chords, specifically." This question comes up frequently for many improvisers. It...Read More

    Areader recently asked: "I was wondering about how to play over altered dominant chords. What are some strategies for playing over Dominant 7 #9 chords, specifically." This question comes up...Read More

    The Difference Between Jazz Licks and Language

    Jazz musicians and educators constantly discuss the topic of jazz licks. It's always up for debate...Should you learn them? Is it okay to play them over and over in your jazz solos? Does it matter...Read More

    Jazz musicians and educators constantly discuss the topic of jazz licks. It's always up for debate...Should you learn them? Is it okay to play them over and over in your...Read More

    Concept Application: a Framework for Practicing Tunes

    We often talk about jazz language and how a primary way to integrate it into your playing is by applying that language to specific parts of tunes. By forcing yourself to use some piece of...Read More

    We often talk about jazz language and how a primary way to integrate it into your playing is by applying that language to specific parts of tunes. By forcing yourself...Read More

    Finding a Fresh Approach to Playing the Same Old Tunes

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    Repetition. It's one part of learning to improvise that's par for the course. We practice scales over and over again until the technique is securely in our fingers, we spend hours repeatedly working out ii-V7...Read More

    Repetition. It's one part of learning to improvise that's par for the course. We practice scales over and over again until the technique is securely in our fingers, we spend...Read More