Overcoming mental limitations in music

Overcoming Mental Limitations in Music

By

Eric

Ear Training, How to Practice Jazz, Inspiration, Jazz Advice and Tips, Jazz Education, Perspectives, Playing Techniques, Visualization

I can’t. We’ve all said these fateful words at one point or another. Fill in the blank for your own situation. “I can’t (____)”…draw, run long distances, wake up early, stop eating cheesecake. Every day there are literally dozens of things that we convince ourselves that we simply cannot do, and playing music and improvising …

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learning jazz improvisation the hard way

Learning Improvisation the Hard Way

By

Eric

Jazz Advice and Tips

Learning the hard way? You thought you came here to find an easier way to learn improvisation, right? Well to be honest, the easier way is not always the best way and if you’re in something for the long run, getting things right from the start can save you a lot of time and years …

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jazz is the moment

Jazz Is The Moment

By

Forrest

Inspiration, Perspectives

If jazz is all about being in the moment, but all our practice time is dedicated to figuring out what we want to play when we perform, then how are we supposed to be in the moment when we perform? There’s this strange dichotomy… On one side, jazz improvisation is very rehearsed. And on the …

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fundamental ear training exercises

Fundamental Ear Training Exercises

By

Forrest

Ear Training

Keep your eyes on the stars but keep your feet on the ground – Theodore Roosevelt. The fundamentals of ear training are largely glossed over. Developing one’s ear is seen as a linear track: learn your intervals, then your triads…and so on… But developing your ear is not a linear pursuit. Like improvisation, it’s a …

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4 simple jazz exercises

Stop right there! Don’t Touch Your Instrument until You Do these 4 Simple Exercises (Premium)

By

Eric

Ear Training, How to Practice Jazz, Jazz Advice and Tips, Jazz Education, Perspectives, Premium Only

All practice is not created equal. There’s the practice that’s fun. You’re in a room with your instrument and maybe a few friends and you just start playing. The minutes fly by, but you’re not exactly working. Then there’s the practice that feels like homework. You’ve got a lesson or a concert coming up so …

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