Inspiration for improvisers
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Composition, Inspiration, Jazz Advice and Tips, Perspectives
I love John Mayer. There, I said it. My secret is out. I’d totally go to one of his concerts if I could stomach being one of many in a herd of screaming fourteen year old girls. I’m not about to be a part of Bye Bye Birdie, so sorry John, not sure when I’ll …
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Chords, Composition, How to Practice Jazz, Jazz Advice and Tips, Jazz Education, Jazz Language, Myths, Perspectives, Playing Techniques, Scales, Transcribing
Composition is selective improvisation – Igor Stravinsky. In 15 seconds the difference between composition and improvisation is that in composition you have all the time you want to decide what to say in 15 seconds, while in improvisation you have 15 seconds – Steve Lacy. Learning to improvise is a big undertaking. Not only must …
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Composition, Ear Training, Jazz Advice and Tips
Admit it. You listen to pop tunes. You probably even like them. But hold on a second, aren’t you’re supposed to be a serious musician? It’s OK, everyone listens to pop tunes. Just because you turn on the radio and check out the top 40 every now and then it doesn’t make you less of …
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Chords, Composition, Ear Training, Jazz Standards, Transcribing
Learning tunes should be fun. If ever there was a secret to expanding your repertoire of tunes this would be it. You’re more likely to pursue an activity that’s exciting, interesting, and challenging rather than one that feels like an annoying chore. At the end of a long day you’re going to put the hours …
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Composition, Jazz Musicians, Jazz Standards, Playing Techniques
Creativity in its most basic form is simply the act of taking something old and making it new. Whether you’re a novelist, an architect, an engineer or an improviser, artistic creation stems from a desire to make something new within the existing confines of your craft. To put a personal stamp on your art form …
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Chords, Composition, Jazz Language, Jazz Standards, Playing Techniques
How do I connect chords when I’m soloing? You’re asking yourself this question in the practice room and you’re frustrated when there doesn’t seem to be an easy answer. But you’re not alone. This is a question that every improviser struggles with as they create solos over tunes. Improvising over one chord is simple enough, …
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Composition, Jazz Advice and Tips, Playing Techniques
I can’t understand why people are frightened of new ideas. I’m frightened of the old ones – John Cage. At some point as an improviser, whether you welcome it with open arms or avoid it like the plague, you’re going to be faced with the chance to compose. That’s right – you, alone in a …
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Chords, Composition, Jazz Advice and Tips, Jazz Standards, Playing Techniques, Premium Only
The process of learning to improvise is a journey. A long and rewarding journey and one that is punctuated by a series of milestones. This can be hard to see from that comfy seat inside of your practice room, but take a step back from your daily routine and look at the path that brought …
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Composition, How to Practice Jazz, Perspectives
I practice a lot. Some days more than others, but I try to get in a couple hours everyday no matter how busy I am. In many jobs I’ve had, I’ve even been known to take my horn to work and sneak away in a spare room once everyone leaves. I bet your life is …
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Chords, Composition, Ear Training, Playing Techniques
Recently we’ve gotten a few questions regarding chord tones: how to work on hearing them, how to aim for them in your lines, and how to connect them when you’re improvising over a chord progression. Understanding the sound and function of chord tones is important to your success as an improviser. However, it’s important to …
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In a recent question from a reader, I was asked why in many examples on this site do I denote the iii chord in a iii Vi ii V as half-diminished? This is an excellent question. In many lead sheets you see the iii chord denoted as minor and many theory books claim that the …
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Composition, Playing Techniques, Premium Only, Rhythm
Many times when we’re soloing we get boxed in so to speak. We think that when we’re on a particular chord, we must play that chord and that chord only. We have tunnel vision and there exists little possibility. One technique that dramatically relieves this boxed in sound and mindset is harmonic anticipation. Anticipating a …