Inspiration for improvisers
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Composition, Ear Training, Visualization
The extent to which your aural imagination is developed, largely determines: the quality of lines you play, how you play those lines (articulation, swing feel, inflection), and the sound you play with. Nothing has such an impact on your playing than your aural imagination. If there were a secret to improvising, developing your aural imagination …
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Ear Training, Jazz Advice and Tips, Perspectives
Learning to improvise is a life long pursuit. Constantly, we’re bombarded with information on how to improve. From the teachers that give us private lessons, to friends who recommend their personal practice routines, it seems there is improvement information coming from every direction! We’ll even purchase expensive books and videos, searching for “the secret” (that …
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Ear Training, Jazz Advice and Tips, Perspectives, Playing Techniques, Transcribing
I’m always trying to learn new bits of language.” – Michael Brecker. There are a lot of things to practice. What is truly vital to practice if you want to get better at improvising? Plain and simple: Language. Spending time with the actual language of jazz, the recordings of the greats, should be your number …
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Ear Training, Jazz Advice and Tips, Perspectives
There are really two areas of musicianship, aside from technique on an instrument, that a jazz musician requires to be a complete improviser. One is developing great ears and the other is an intellectual understanding of harmony. These two qualities can especially be found among the countless innovators of the music. Take the musicians of …
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Ear Training, Playing Techniques
Being able to quickly hear, sing, and accurately identify intervals is essential to developing your improvisational ear. In this article, we’ve put together a plan for you to master your intervals in 28 days… For beginners, this will give you a much needed foundation. And for more advanced players, it will give you a chance …