One of the most frustrating things about learning to improvise is the expectation that you can simply jump in and start creating a great solo right away... The belief that you can learn a single scale and sound good over Major chords. Or that you can study a few theory ...Read More
One of the most frustrating things about learning to improvise is the expectation that you can simply jump in and start creating a great solo right away... The belief that ...Read More
The Definitive Guide to Phrygian & Sus Flat 9 Chords
After you’ve been improvising jazz for a while, most chords are pretty familiar. You're used to major, minor, dominant, and half diminished…but just as you thought you were getting a handle on things, a chord comes out of nowhere that makes you go “What is that?!?!” And not only do you ...Read More
After you’ve been improvising jazz for a while, most chords are pretty familiar. You're used to major, minor, dominant, and half diminished…but just as you thought you were getting a ...Read More
You're staring at a chord progression on a lead sheet. Thinking through the first few bars of a jazz standard. You're getting ready to start your solo and carefully choosing the first phrase you'll play... It's finally time to show off the stuff you've been working on. Time to create ...Read More
You're staring at a chord progression on a lead sheet. Thinking through the first few bars of a jazz standard. You're getting ready to start your solo and carefully choosing ...Read More
After hours spent in the practice room are you still having trouble remembering the chord changes to a standard you endlessly practiced, or the details of a jazz line you drilled over and over? Why can’t you remember all this stuff, even after you’ve practiced it? Is the answer more ...Read More
After hours spent in the practice room are you still having trouble remembering the chord changes to a standard you endlessly practiced, or the details of a jazz line you ...Read More
Have you ever noticed how there's a special group of improvisers that seem to know EXACTLY what to play over any tune at any time – no matter what it is? The key doesn't matter, the tempo doesn't matter, even the style of music doesn't matter... You could blindfold them, ...Read More
Have you ever noticed how there's a special group of improvisers that seem to know EXACTLY what to play over any tune at any time – no matter what it ...Read More
Bebop language is at the very heart of jazz. From the classic beboppers to the crazy out players, every great jazz improviser has spent time absorbing, imitating, and developing timeless bebop language. There’s just something about the feel, phrasing, and voice leading of bebop language that’s crucial for every jazz musician ...Read More
Bebop language is at the very heart of jazz. From the classic beboppers to the crazy out players, every great jazz improviser has spent time absorbing, imitating, and developing timeless bebop ...Read More
The typical jazz transcription process usually goes something like this...you start with a solo, you listen to the recording a few times, maybe even slowing it down a bit, then you figure out the notes and carefully write them down, practicing each line until you've got it memorized. After a ...Read More
The typical jazz transcription process usually goes something like this...you start with a solo, you listen to the recording a few times, maybe even slowing it down a bit, then ...Read More
Every single person who wants to play jazz starts out as a beginner. There’s no way around it!! And over the first couple years of learning how to improvise, only a small handful of beginners develop quickly toward the player they want to become...most actually have difficulty improving and never ...Read More
Every single person who wants to play jazz starts out as a beginner. There’s no way around it!! And over the first couple years of learning how to improvise, only ...Read More
Louis Armstrong is called many things: a musical pioneer, the father of American music, the first great soloist, and the catalyst for countless creative musicians around the world... But for many musicians today, his music can seem old hat, antiquated, and even irrelevant – I mean what can you actually ...Read More
Louis Armstrong is called many things: a musical pioneer, the father of American music, the first great soloist, and the catalyst for countless creative musicians around the world... But for ...Read More
One thing that gets lost in the day to day mentality of practicing jazz improvisation is this simple fact – you don't have to solve EVERY musical problem each time you walk into the practice room... Contrary to all the stories you hear or the pressure you might feel, you ...Read More
One thing that gets lost in the day to day mentality of practicing jazz improvisation is this simple fact – you don't have to solve EVERY musical problem each time ...Read More