Herbie Hancock is one of the most renowned and creative musicians in the world - and for good reason! His career has bridged the gap from the roots of this music, performing with masters like Miles Davis and Wayne Shorter, to exploring the possibilities of improvisation with his own groups.... ...Read More
Herbie Hancock is one of the most renowned and creative musicians in the world - and for good reason! His career has bridged the gap from the roots of this ...Read More
Paul Desmond plays the alto saxophone unlike any other…sweet, melodic, and precise, always leading the listener through a clear story from one musical idea to the next - It’s as if every single idea he plays naturally builds on what came before it… So how does he do it? ...Read More
Paul Desmond plays the alto saxophone unlike any other…sweet, melodic, and precise, always leading the listener through a clear story from one musical idea to the next - It’s as ...Read More
As musicians, we find ourselves in an interesting time. No concerts, no gigs, no rehearsals, and no one else to play with. However, there is one thing we all have more than enough of – practice time. On one hand, this can be a great opportunity to focus on the ...Read More
As musicians, we find ourselves in an interesting time. No concerts, no gigs, no rehearsals, and no one else to play with. However, there is one thing we all have ...Read More
Have you ever tried to play over a so-called easy tune, only to find that it’s not actually that easy? All Blues, one of the most incredible tracks from the legendary Miles Davis album Kind of Blue, is commonly referred to as an easy tune throughout jazz education, yet this ...Read More
Have you ever tried to play over a so-called easy tune, only to find that it’s not actually that easy? All Blues, one of the most incredible tracks from the ...Read More
You're on stage. In the practice room. Or rehearsing with your friends. It's time to run through yet another jazz standard. But here's the thing, this time you're not going play it like you always do. You're done sounding like everyone else with a real book. It's time to get ...Read More
You're on stage. In the practice room. Or rehearsing with your friends. It's time to run through yet another jazz standard. But here's the thing, this time you're not going ...Read More
What if there were a jazz musician that didn’t rely on scales, licks, or patterns, but instead sought only to play what they’d sing? What would this musician sound like? What kind of playing techniques would they use and how would they approach taking a solo? This kind of musician ...Read More
What if there were a jazz musician that didn’t rely on scales, licks, or patterns, but instead sought only to play what they’d sing? What would this musician sound like? ...Read More
One of the most frustrating things about learning to improvise is the expectation that you can simply jump in and start creating a great solo right away... The belief that you can learn a single scale and sound good over Major chords. Or that you can study a few theory ...Read More
One of the most frustrating things about learning to improvise is the expectation that you can simply jump in and start creating a great solo right away... The belief that ...Read More
After you’ve been improvising jazz for a while, most chords are pretty familiar. You're used to major, minor, dominant, and half diminished…but just as you thought you were getting a handle on things, a chord comes out of nowhere that makes you go “What is that?!?!” And not only do you ...Read More
After you’ve been improvising jazz for a while, most chords are pretty familiar. You're used to major, minor, dominant, and half diminished…but just as you thought you were getting a ...Read More
You're staring at a chord progression on a lead sheet. Thinking through the first few bars of a jazz standard. You're getting ready to start your solo and carefully choosing the first phrase you'll play... It's finally time to show off the stuff you've been working on. Time to create ...Read More
You're staring at a chord progression on a lead sheet. Thinking through the first few bars of a jazz standard. You're getting ready to start your solo and carefully choosing ...Read More
After hours spent in the practice room are you still having trouble remembering the chord changes to a standard you endlessly practiced, or the details of a jazz line you drilled over and over? Why can’t you remember all this stuff, even after you’ve practiced it? Is the answer more ...Read More
After hours spent in the practice room are you still having trouble remembering the chord changes to a standard you endlessly practiced, or the details of a jazz line you ...Read More