Inspiration for improvisers
Eric 
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Learning how to improvise can be overwhelming. There’s an enormous gap in knowledge to overcome as soon as you decide that you want to play jazz. Before you even improvise a single note, you have to contend with over 100 years of musical history, from Louis Armstrong all the way up to the innovators of …
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Chords, Composition, Playing Techniques
Sus chords on tunes like Herbie Hancock’s Maiden Voyage can be pretty confusing for the developing improviser. Is it a normal dominant chord? What’s special about it? Do you need a new scale? Are you allowed to play the third of the chord? After studying and transcribing solos of some of my favorite players over …
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There are certain composers in the jazz tradition…ones that have such a uniquely personal style that their compositions seem to take on a life of their own, becoming part of the jazz pantheon long after the lifetime of the writer. Composers like Duke Ellington, Charles Mingus, Wayne Shorter, and especially Thelonious Monk come immediately to …
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Composition, Ear Training, Transcribing
Have you ever wondered why great pianists, guitarists, bassists, and drummers often sing along as they improvise? Ever noticed how many of the best horn players also happen to be great singers? Great musicians all over, seem to have developed the ability to sing somewhere along the way, whether they’ve had formal training or not. …
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Inspiration, Jazz Advice and Tips, Perspectives
We’ve all seen concerts that have affected us greatly and left a lasting impression on our musical perception and even our lives. Performances that seem to transcend the stage into another form of communication and stick with us long after the show has ended. It’s as if certain groups or performers have an uncanny ability …
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Ear Training, Perspectives, Transcribing
Tran•scribe – transitive verb. A: to make a written copy of, B: to make a copy of (dictated or recorded matter) in longhand or on a machine, C: to paraphrase or summarize in writing, D: to represent (sound) by means of phonetic symbols This is the definition I found for the word transcribe when I …
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Composition, Ear Training, Playing Techniques
On this site we frequently write about the benefits of ear training for improvising, with good reason. Hearing and singing intervals, melodies, chord progressions, etc. is one area of daily practice that will directly affect your improvising for the better. However, ear training isn’t only limited to improving your harmonic sensitivity. Developing rhythmic awareness and …
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Chords, Composition, Ear Training, Jazz Advice and Tips
A reader recently wrote: “I was reading your “6 mistakes” article and was intrigued by the first rule. I would be more than happy to toss my lousy sixth edition real book, but have some questions about learning tunes by ear. When I’m blowing through changes or learning licks, it all comes down to the …
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Ear Training, Jazz Advice and Tips, Perspectives
Learning to improvise is a life long pursuit. Constantly, we’re bombarded with information on how to improve. From the teachers that give us private lessons, to friends who recommend their personal practice routines, it seems there is improvement information coming from every direction! We’ll even purchase expensive books and videos, searching for “the secret” (that …
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Jazz Advice and Tips, Playing Techniques
Transposition is a skill that all musicians will need at some point in their careers. Whether you play a transposing instrument or an instrument in concert pitch, there are inevitably going to be times that call for reading music or soloing from chord changes that are not in your key. Trumpet players, saxophone players, and …
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Jazz Advice and Tips, Visualization
One of the most frustrating feelings I have, is to get to the end of the day and realize that I haven’t practiced enough, or even worse, that I haven’t even touched my instrument. Whether it’s because of appointments, travel, school, or work commitments, it seems like there is always something getting in the way …
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Whether it’s figuring out difficult double-time passages, navigating advanced technical lines, or even finding the motivation to do it everyday, transcribing can be difficult. Transcribing, while essential to learning to play the jazz language, is often one of the most demanding tasks to complete on a regular basis for improvisers. Two readers recently asked questions …